Friday, January 30, 2009

Madame Zelda Presents Her 2009 Predictions


What providence that I should return to the land of Seekerville in time to share wisdom for the new year. As you no doubt fondly remember from my last visit, I always I like to start out the day with a little gypsy humor.


NOTICE : 'The Clairvoyant Society will not have its usual meeting this week, due to unforeseen circumstances.'

Okay, well I laughed.


This prediction gig is a lot work. Anyone can shake the crystal ball and tell you a snow storm is headed to Poughkeepsie. But I happen to be an ethical gypsy. No stone has been left unturned in my quest for information. That's right. I have eavesdropped long and hard to bring you the 2009 news and predictions.



The biggest news of 2009 is that 9 Seekers will have releases this year!


Mary Connealy

Janet Dean

Debby Giusti

Myra Johnson

Glynna Kaye

Julie Lessman

Camy Tang

Missy Tippens

Cheryl Wyatt




There is also news from Unpubbed Island. Within the next 18 months all the Seekers will have left Unpubbed Island. (15 Seekers SOLD!) The island will not be on the real estate market, but will be, as Glynna Kaye hinted Saturday, be turned into a writer's retreat.


Inside news from Tina Russo:

Many of you remember Janet Edgar's Heart & Soul Writer's Retreat; a quarterly cyber retreat that lasted two weeks to a month and provided an opportunity for support while each participant wrote a book in a very short period of time. Janet is no longer with us, but her memory is here forever. We look forward to leaving Unpubbed Island and launching The Seekerville -Janet Edgar, Heart & Soul Writer's Retreat in the very near future.



These next two words will warm the gypsy cockells of your writerly heart:

Mini laptop!
I predict they will be hot, hot, hot in 2009.

Check out the Dell Mini starting at $299.

or the HP Mini starting at $379.
Acer Aspire at $379

ASUS EeePC T91 Touch Screen $299 to $399

And they will fit in my satchel, right next to my crystal ball!!!



I know that many of you are really waiting for my famous Heinz 57 predictions for Seekerville...so here they are. Take them with a grain of salt and a bit of steak sauce and you will be fine.

  • Seekers will final in the Golden Heart, RITA and the ACFW Genesis as will several Friends of Seekerville.
  • We will hear rumors of an auction for the sale of a Seeker series in 2009
  • Seekers will top multiple bestseller lists
  • One (or two) Seekers will have a significant weight loss and we shall envy svelte figures
  • In 2009 one of the 15 Seekers will be in involved in a very, very nice book deal as recorded on Publisher's Lunch
  • There is much merriment and rejoicing at a Seeker party in Denver, Colorado during the month of September
  • At least one Seeker will quit a job to devote more time to writing
  • I see chocolate, lots of chocolate..dark, white, milk .....

Oy vey, that's it. I'm exhausted.

Happy New Year to The Seekers and their many friends.

Remember that the views expressed by Madame Zelda are not necessarily those of Seekerville.

Thursday, January 29, 2009

The Power of Author Branding with Jenn Stark


First off, thank you so much to Tina for inviting me to be a part of Seekerville! I’ve been voraciously reading many of your past posts and have found the site to be an outstanding resource for anyone with a love of writing.

Today I’m here to talk about Author Branding, which is a real passion of mine. So, I’ll spend just a bit of time on the overview of what Branding is, then jump right into how you can make YOUR Author Brand work for you.

And for those of you who don’t know me, a quick caveat: While I get very excited about Branding, I want to emphasize that the best part of the Branding process is that it should be FUN. The only reason to have a Brand is to engage your audience, and since YOU are your most important audience to start, you need to be engaged from the beginning. So this is not an all-serious-all-the-time, get-your-pencils-and-notebooks-out-and-buckle-down kind of experience. Give yourself the freedom to enjoy the process!
So, what is a Personal Brand…and an Author Brand?

I define an individual's “Personal Brand” as a brief, memorable statement of yourself that identifies you to your audience. This can be a two-to-three word description, or a saying or slogan that presents you uniquely to the world. For those of you who don’t think you already have a Brand—I’m here to tell you that this is not the case! If you interact memorably with any audience, whether it’s your family, your business peers, your agent or editor or your readers, you have a Brand: it’s simply the two or three words that jump to their minds when they think of you.

Need an example? For those of you who watch “American Idol”, there was a certain performer a few weeks ago who auditioned in swimwear. If two words sprang to mind when you thought of this performer, bingo: You have her Brand. Now, we can spend a LOT of time arguing about whether or not this singer’s Brand choice was a smart one for her, but bottom line… if you’re watching the show at all, you probably remember this particular girl. Which means her Branding effort worked, at least to get her noticed.

For Authors and Writers, our Branding process doesn’t generally involve swimwear (although it could!) Instead, we Brand ourselves in two ways, with our:

Industry Brand (how we present ourselves to the publishing world, industry peers, and our readers) and our

Writing Brand (how we present our work to the publishing world, industry peers and our readers). Writing Brands usually answer the question, “So, what do you write?” and often include a slogan.

In both cases, you want to ensure that your Brand is positive, engaging and memorable.
For a writing-related example, let’s consider the Brand of fictional author Madeleine Midnight, whom I use in my classes. Madeleine writes Vampire Chick Lit, and she’s known to throughout the publishing industry as someone who presents herself in a sophisticated, elegant manner—and that she always gets the job done. So, what’s her Author Brand? Let’s break it down.

Based only on what I’ve said above, we can safely assume Madeleine’s Industry Brand (which is all about Madeleine as a person) might be “Sharp, Elegant Professional.” As for her Writing Brand (which is all about Madeleine’s work) we could go with “Vampire Chick-Lit” which is snappy on its own. Or, if Madeleine wanted to get a bit more intense, we could amp it up to: “Darkly Humorous, Stylish Fiction for the Vampire Hunter in All of Us”. EITHER approach works, it all depends on how Madeleine wants to convey herself to her audience. And as for Madeleine’s slogan, she has a fondness for: “Wine, Candlelight… and a Well Done Stake.”
So, to recap the Brands for Madeleine Midnight

Industry Brand: “Sharp, Elegant Professional” Writing Brand: “Vampire Chick-Lit” OR “Darkly Humorous, Stylish Fiction for the Vampire Hunter in All of Us”
Slogan: “Wine, Candlelight… And a Well-Done Stake.”

Get the idea? Now… Think about your own Brand, and consider ways you can make it really sparkle!
Making the Most of your Author Brand
Once you’ve created an Industry Brand and Writing Brand for yourself, how can you express it to your best advantage? The following is just a brief list of Branding Opportunities, broken down by Brand type:

Industry Brand

Your Personal Appearance/Demeanor at

  • Booksignings
  • Conferences or other Industry Social Events
  • Pitch Meetings with your Agent/Editor
  • Monthly Meetings with your chapter
  • Volunteer Activities

Your Online Demeanor in…

  • Blogs (I could spend HOURS on just this topic)
  • Online Yahoo! Groups
  • Online Classes
  • Your Website (via your author photo) or Blogsite
  • Your MySpace or other social networking page

Writing Brand

  • Your STORY (Your work is ALWAYS the most important part of your Writing Brand!)
  • Your Website
  • Your Pitch Materials (including your Blurb, your Query Letter, your Business Card if you have one, etc.)
  • Your Promo Materials (if you’re published)
  • Your MySpace/social networking page or Blogsite to the extent that it focuses on your Writing
  • Your In-Person Pitch—in other words, how well can you define and describe your story? This is part of your Writing Brand!
IMPORTANT: While the possibilities to promote your Brand (and yourself) can seem endless, they do not (and should not) become prohibitively expensive. And much of what you should do depends on where you are in the writing process.

For example, if you’re just starting the process of writing your first book—you don’t need a website. However, if you are actively marketing and promoting your work, a website can be very useful. This does not mean it must be EXPENSIVE, however. You can create your site yourself, or use a template provider, or seek the services of a web designer. You can even use a MySpace page to start if you choose. But in today’s wired world, some sort of web presence is becoming the norm, rather than the exception, for actively marketing writers.

When can your Author Brand come in handy?

Still on the fence about whether or not you want to take the time to create a standout Author Brand? In the past several months I’ve fielded questions on several Black-Belt Branding Situations… Here’s just one:

Situation X: What if I get a writing opportunities outside of my Brand, i.e., “Hey, how about dashing off a Vampire historical novella for me?”

In the publishing industry, the game is to stay published—with new work coming out on a consistent and meaningful basis. Therefore, it’s extraordinarily difficult to turn down writing opportunities even when they come out of left field. But what if you get an offer to do something that is completely off-Brand for you?

Generally speaking, it’s too facile to say “don’t do it—it’s not your Brand” without first exploring the possibility. There are of course some offers that are clean cut “no’s” – an erotica writer getting the chance to write inspirational fiction under the same name?? NO. But in just about every other case, your options are more flexible than you may realize. After all, you’re a professional writer—you’re paid to make new ideas work.
That said, it’s smart to make sure your Brand remains consistent in your new venture. Here’s how:

1. Consider your Brand first and foremost. What are the key elements of it? What makes you different or sets you apart? If you write gritty, detailed fiction with an edge of humor, can you do that as well within the dictates of the anthology or new writing opportunity?

2. Consider the writing opportunity next. Is this a good opportunity for you to work with other authors, bring in a new audience, meet new publishing professionals? Chances are, it is. But it is still an extension of your Brand, so consider the opportunity carefully. Generally speaking, you should not extend your Brand downward – for example, electing to do a self-published venture with a group of new writers, writing under the same pen name you use for your multi-published self. If the writing opportunity is a lateral move into a new genre with writers you respect OR if it’s a step up in either a new genre or your existing one, however, go after it.

This one seems obvious, but you may be surprised at the opportunities you’ll face that are downwardly mobile. Sometimes, these do make sense to do. For example, you may choose to work with writers who are not as far along as you to help them—and that is definitely a good karma decision. However, make sure that you are also spending significant time working on opportunities that will maintain and further your career, to keep things balanced.

3. If you make the preliminary decision to move forward, your next step is to consider how to incorporate the new work into your overall Brand/promotions. This means adapting/updating your site, potentially creating marketing materials, and highlighting the new project in your media kit. If you feel squidgy about this, like you’re not certain you *want* to incorporate this Brand extension, you may want to reconsider the project. You should be proud of all the work you do under your Brand name—even before you start writing word one.

4. If you’re still gung-ho about it after the first 3 steps, move forward with confidence and really make this fresh incarnation of your Brand work for you!


This is just one example, but bottom line: If you create an Author Brand that you love, it will not only help you present your work effectively—it can help you make decisions about your Writing Career that will have far-reaching impact on your work and success.
Questions, any Questions???

I thoroughly enjoy everything about Branding, so if you have any questions or would like additional information, ask away!

~~~~~~~~~~~~~~~~~~~~~~~~~~~

Jenn Stark brings a practical, accessible approach to Personal Branding to help authors at every level present themselves for maximum impact. A former vice president of marketing and communications with sixteen years' experience and a published freelance business writer, Jenn is currently the immediate past president of the Ohio Valley Romance Writers of America, and has also served as the chapter's publicity director, promoting chapter and author events. She is an invited speaker and instructor on Personal Branding and public relations topics, and has worked with several authors one-on-one to help develop their Personal Brands and publicity materials. Her articles on Personal Branding have been featured in the newsletters and online loops of more than 30 writing chapters in the U.S., Canada and Australia. She can be reached at jenn@knowyourbrand.com

Wednesday, January 28, 2009

DIANA COSBY: WRITING THE SYNOPSIS



©2009 Diana Cosby

No question, one of the most powerful tools in a writer’s arsenal is the synopsis. It ensures your story is a cohesive, well motivated marketing tool that’s tailored to fit a publisher’s line. In addition, the synopsis is used as an outline when crafting your story.

I understand a lot of writers approach writing synopses with trepidation, understandably as the synopsis challenges the author to ensure they have a sound, well motivated plot/story on every level. Instead of asking, “How do I write a solid synopsis?” A better question may be, “How can I write a brief narrative of my story that will portray the full impact of my novel and ensure all story points have strong motivation? To do this we need to get back to basics.

The story is about the characters, their lives, the decisions they make under pressure along with the emotions and feelings that arise from these situations. Only through forcing our characters to make decisions under pressure can we ‘show’ the reader exactly who the character is. Over the years in writing synopses, I’ve noticed that my protagonists’ introductions have lengthened with emphases on who they are and what significant events have crafted them into the people they’ve evolved into at the beginning of the story. The reason for the increased character time is because our synopsis tells the editor a story, but it’s our characters who hook the editor emotionally and make them care.

The external conflict’s purpose in the story is to force the characters to deal with their internal conflict, which is why the “black moment” is really the time of truth as the plot reaches its critical point. Essentially, the black moment is when despite everything obstacle the character has overcome from page one, they realize that what they thought they wanted [outer goal] isn’t what they want at all, but their inner goal.

The outer goal must be important enough to drive the story forward. If the outer goal could wait, it’s too weak. The inner goal is a personal issue that characters have yet to face; even though the characters begins their journey with an outer goal in mind, the story must turn personal. This is how I view the story. Whatever the outer goal is, the protagonist MUST sacrifice it during the black moment. The key word here is sacrifice. The good things a hero and heroine do throughout the story are nice, but what makes us really love and respect our characters is what they sacrifice. And to the reader, it’s this ultimate sacrifice that makes them heroic.

The middle of the book should be an exciting time. It’s where romances are recognized whether the hero and heroine want it or not, where the stakes increase, because now they have emotional involvement which convolutes the protagonists original intent. And suddenly, the goal that started out so clear, is growing confused. Another tip, the middle is usually where a major plot point occurs.

As I go through each step of writing the synopsis, I ask myself, “How can I make it worse.” For me, this is the key question to ignite my mind’s creativity. My goal is to write each paragraph in a clear and concise manner that transitions the story smoothly forward from one major event to the next while keeping true to my characters. To do this, I’ve created guidelines for each paragraph I write, they are: Goa. Problem/Romantic Problem. Decision/Action. And at times a Transition Line. Remember, there is no right or wrong way to set up your synopsis, but the way that works for you. Also, when you’re writing a synopsis, it’s imperative to be concise, to make each word count. Be specific! Note: The synopsis is written in the present tense.

*Using the above stated guidelines, here is a paragraph example from my synopsis of my first MacGruder Brother’s book, His Captive:

Nichola wonders when Alexander will give in to his obvious lust and take her.[Problem] Before then, she is determined to escape.[Goal] The next day as they travel, Nichola feigns illness. After Alexander helps her dismount, when he turns, she strikes him with a tree limb. As he lays on the ground, she presses her ear against his chest for a heartbeat, but finds none. Horrified, Nichola believes she’s killed him.[Problem] She’s devastated. Though he abducted her, she doesn’t hate him, nor meant him any serious harm. Grief-stricken, she starts home.[Decision/Action]

*If you are having feel your synopsis is weak in an area, this formula will show you why. By having to define the Goal, Problem, Decision and at times using a Transition Line for each paragraph within the synopsis, you, the writer, are forced to write clear, well-motivated synopsis and you instantly see where your story needs to be strengthened. For additional story layers, you can have more than one problem in a paragraph. Besides the outer or plot problems, you can add romantic issues, which is your romantic conflict. The Goal, Problem and Decision format can also be used to condense your book for a cover letter blurb. Example from my second MacGruder Brother’s book, His Woman:

On a death bed plea, Sir Duncan MacGruder vows to save Lady Isabel Adair, [Goal] the one woman he despises. But when their escape turns deadly and unearths secrets that could threaten Scotland’s freedom,[Problem] Duncan must choose between his country and a woman whom he realizes he’s never stopped loving.[Decision]

A really great book that breaks down the story well is “The Comic Toolbox,” by John Vorhaus. Chapter seven is called, “The Comic Throughline.” It is the most incredible and easily understood breakdown of how a solid story works, I would recommend it highly for anyone who would like a solid yet simple to digest view of a riveting plot.

http://www.vorza.com/comic_throughline.html

With this arsenal of information at your fingertips, you’re now ready to have fun with the story you want to write, are writing, or have written. Don’t fear writing the synopsis, enjoy and savor each plot twist. That’s why we write isn’t it? For the love of the story.


Diana Cosby

His Captive/Alexander MacGruder
His Woman/Duncan MacGruder - 4 star Romantic Times review
Title TBA/Seathan MacGruder - Date TBA
Title TBA/Patrik [Cleary] MacGruder
___________________________

U.S. Navy Chief Meteorologist/Oceanographer, Diana Cosby began her last tour in the military by re-enlisting on the back of a camel in Tangier, Africa. With 31 moves and an incredible career, she decided to create characters who reflected the amazing cultures and people she’s met over the years. Her years of living in Europe influenced her decision to write in the medieval time frame, hence the MacGruder brothers were born. Diana now lives in Texas with her husband who recently retired from the Navy after 24 years and their youngest son. Her older son is serving in the Marine Corps, and her daughter is attending college to become an art therapist.

Tuesday, January 27, 2009

Preparing for Market

I'm sure you've all been thinking about what you are going to do when you get "the call." You can picture yourself jumping up and down and screaming.  You know who you're going to call on the phone, email around the globe and pound on with excitement when they walk in the door.  But eventually you come off of cloud nine and reality hits.  Just ask Glynna who just received "the call".  Congrats fellow Seeker.  (I have to admit when I opened up my emails and saw she'd received "the call" I screamed so loud I scared my hubby and the dogs. But when he found out why, he started jumping up and down too.)  

Anyway, back to the point.  After the call, you receive forms to fill out wanting ideas for cover art, blurbs, pages of revisions and a proposal for the next book. After looking at the work ahead, you realize you are going to have to get set for the publicity angle of this writing/publishing business.  Oh my, you think. When am I going to have the time?   

That's a good point. Your time may be limited because of your day job, family to take care of, animals to feed and exercise, volunteer commitments, classes you're taking, any number of things called "life".  So why not be prepared for that aspect ahead of time.  Even if you're not published YET, you can get started on a foundation for publicity and marketing. 

1. Start collecting addresses of fellow writers you meet, readers you know, friends who have friends, etc.  When you attend those writer meetings, workshops, conferences, network.  Pass out business cards.  Collect business cards.  Ask if you can put their names on your mailing list. Then when you get "the call" you will be able to tell all of those people.

2. Print out business cards.  
There are many websites that offer free business cards.   Some of my friends print the blurbs of their wips on the back of their cards.  Or you can include a photo of yourself to help that editor or agent remember meeting you when you send in the proposal they requested.  I use Vista Print.

3. Apply for a domain name. 
Most authors want their name as their domain name.  For example  www.julielessman.com is the domain name for our Seeker author,  Julie Lessman. Seeker Missy Tippens has the domain name:  www.missytippens.com.  Domain names are inexpensive and you can have one even if you don't have a website developed for it. You will need to have one to develop a website.

4. Develop a website.   
Seeker Myra Johnson really impressed me with her readiness for "the call".  She developed her own website, blog, newsletter and has a following.  Not only that, she has all of her proposals listed on her website.  http://www.myrajohnson.com. Myra reported that she sent Barbara Scott at Abingdon her proposal.  Ms. Scott liked her writing, but not the proposal. She clicked onto Myra's website, saw all of the publicity Myra had set up and also saw her other proposals. She asked for An Imperfect Christmas and later made "the call".

Websites are also great places to publicize your books when they are published.  To attract people to your website, it helps to have a lot of interesting information and action.  Check out Camy Tang's site.  http://www.camytang.com.  She has what's called a "sticky site".  You start with one thing and then your attention gets caught with some other item and you stick with it-you don't want to leave.  

When you develop your website you will want to form links to your friends. This helps them with publicity and when you are linked, it helps yours also.  Check out the links and contacts on Cheryl Wyatt's website and see what I mean.  www.cherylwyatt.com.

Other links you can connect to are links to blogs.  You want to be sure and link to your blog and to any blog that you belong to.  Check out Mary Connealy's website.  www.maryconnealy.com 
Mary is part of Pistols and Petticoats,  Edit Cafe and our own Seekerville.  

When you go to develop a website the advice is to check out websites to get ideas.  Besides those listed above check out these Seekers:  

5.  Develop a blog.  If you checked out the above websites, you will see that all of these authors are on blogs.  Since you are reading this blog, you know what they are.  One thing that we have found helpful is that we developed a blog as a group.  We were all contest winners and started our site by posting information about contests.  It has since evolved to include writing tips and interviews with editors and agents.  This would be a huge task to do alone.  It is tough to come up with new information every day.  Sharing it with others helps.  We started out unpublished, but as each one has received "the call", they have a blog all set to talk about their new releases.  So you can see the advantage of blogging before you receive "the call".  We have several past posts on blogs that you may find helpful.







Now that you know what you can do ahead of time, how do you do it? I developed two websites previously and paid to have them done.  I don't really like doing that because for one, you have to do everything anyway.  I had to write the text to put in it. I had to provide all of the links, I had to provide the graphics.  Every time I wanted to make a change I had to pay them to do it and it wasn't always done in a timely manner.   So why not save money and do it myself?  

Good question, but the answer is simple. I don't know how.  And maybe you don't either.  

Mobile Me with Apple has great templates that are easy to use.  I'm in the process of developing this site for my children's books. I use my maiden name as the author of my children's books, so my domain name is my maiden name.  www.sandywardman.com.  You can see that there are some pages I want to update every week and month.    

This format is very basic and I need to know more information.  I am starting a class this week at Mesa Community College.  It is going to take me the whole semester to learn how to build a website, so now you see why it is best to have all of this knowledge before "the call".  I will let you know in future posts what I learn.   Hopefully you'll see improvements to my site as I learn.  

So after reading all of this I bet you need some comfort food.  And prayer.   I certainly do because the thought of going back to school has me a little nervous.  And excited.  So let's see, how about some maple bars, the kind dripping with maple glaze.  Some Kona coffee, roasted dark would go good with that.  And I'll throw in more oranges off my tree for those of you who know all this and don't need the comfort or the calories.  Oh that's right. Cyber bars equal no calories.  Yum.  

And anyone who wants to chime in with more hints to prepare for "the call" or to just say hi will be entered into a contest to win one of my children's books.  God's Spirit Within Me
Be sure and include your email address if you want to be entered so that I can contact you for your mailing address. 



Before I go I just want to remind you that Valentine's day is coming up and autographed books make terrific gifts. Think about it. You spend $4-$5 for a card. Why not spend a couple more bucks and give a book to enjoy instead?  That way you are supporting the industry you are trying to break into.  

Happy writing.



Monday, January 26, 2009

How Organized Are You?

In trying to decide what nuggets of wisdom to share with Seekerville today, I started looking over my filing system and decided to give Seekerville readers some pointers on keeping records.

There are three basic filing systems: hard copy, email accounts, and files on your hard drive. Today I'm only going to talk about organizing your email account.

I keep practically everything, and my poor computer is chock full of files to prove it. It’s a good thing files don’t weigh anything, or my laptop would weigh about 1000 lbs!

Obviously, everyone’s system will be different, and I’m sure most of you already have some kind of method in place, but you DO need some kind of organization. After five, ten, or twenty years in this business, you’ll be glad you organized your files so that you can pull something up in a matter of minutes.

I used to print a lot of stuff off and file it, but unless I have to, I don’t do that now. Almost all of my writing-related files are on my laptop (and backed up at least weekly). Of course, certain files will need to be printed and filed, but not everything.

Let’s take a peek at the folders in my email account. I like simplicity. I like to close all the folders and only have a handful of top-level folders. When all my folders are closed, I have the following:

Inbox
Outbox
Sent Items
Deleted Items
Drafts
ACFW
Family Stuff
Writing

That’s it. Nice and neat and organized. Use only the top-level folders that work for you. You can always add or take away. Actually in reviewing my folders for this article, I moved something to Family Stuff, so it’s a good thing to close all your folders every once in a while and clean everything up a bit.

Starting at the top, I like my Inbox to be semi-cleaned out and since I receive anywhere from 300-800 emails a day, it’s important not to let the folder get too full. So, I have some sub folders in my Inbox:

Inbox Pending
Read Later

Inbox Pending is stuff I need to handle soon but is not urgent. Read Later is fun stuff that I would like to read, but will only do it when I have some down time. I could actually delete the entire folder and it wouldn’t affect the my career overmuch. But the emails are writing related and fun to read when I get the chance. For instance, I read several of these emails on a long road-trip just a few weeks ago. Some of the oldest, I deleted after reading. If something really stuck with me, I kept it to read again and again.

Now to the fun stuff. My Writing folder. As with the above folders, I have several sub-folders within this folder, and most of these folders have sub-folders within them. I’ll just list a few here:

Agent: Kelly: This folder is self-explanatory, I think. I needed it right out in the open and easy to get to. And the more we communicate, the more I need to be able to grab it fast. I don't want this folder hidden among many.

Books/CP’s/Brainstorm: This folder has 15-20 sub-folders with emails from critique partners, research on my manuscripts, collaborative efforts, and ideas I’m working on. Keep in mind that this is not where the actual manuscript, synopsis, and notes are stored. This is just preliminary research or brainstorming with friends, etc. Even with stories I’m not currently working on, it’s fun to see the comments and ideas when we brainstormed. I had to pull myself away from one such folder to get back over here and finish this up for you guys!

Publishing Houses: This folder has sub-folders of many of the CBA publishing houses who are actively acquiring. Almost every email that comes in my inbox that refers to a particular house or editor goes into the respective folder. When I’m about to submit to a particular house or someone has requested more of my work, I’ll read through the emails. Also, after meeting with an editor at a conference, I might type up a report on what we talked about and email it to myself. I'll include a clear subject line, and I have a good email to refresh my memory on what we talked about. Recently added emails is one where Kaye Dacus announced her 3-book contract to Harvest House. When Abingdon opened its doors, I added a folder and emails from some of the first contracted authors including Ronie Kendig and Seekerville’s own Myra Johnson. Same with Summerside. 253 emails in Steeple Hill’s folder alone.

Agents: Before I signed with my agent, I had a substantial file of agent info. just like the Publishing House folder above. All broken down into each agency, any information I knew about their clients, websites, etc. and communications from the agents themselves.

Research: If I seen any kind of post about a site that intrigues me, I stick the email into this folder. Now, by the time I actually get around to needing the info., the link might be inactive, but if not, I have a great resource. Since I write historical romance, a quick glance showed topics such as 1880’s slang, 1800’s costumes, historical houses, etc.

I even have a “SOLD – What Next?” and a Promotion folder. Topics on launch parties, marketing, royalty rates, and foreign rights? I don’t delete them even though I'm nowhere near a launch party…they go straight to these folders.

This is just the tip of the iceberg. Shoot, it’s just my Outlook Express files! There’s the rest of my hard drive and any hard copies that I must print out. But the point is that a good filing system will go a long way toward making this career easy to navigate and if you have a system in place before you sell, you'll be ahead of the game in so many ways.

If anyone has tips for managing your email and what to file, and what to delete, we’d love to hear it!

Sunday, January 25, 2009

Weekend Edition: Happy Sunday!

We have a fun week ahead in Seekerville.

Monday, multi-Golden Heart finalist Pam Hillman is your blog host.

Tuesday, Sandra Leesmith shares from the highway of life.

Wednesday, Seekerville eagerly welcomes back, multi-published author, Diana Cosby to post on the synopsis.

Thursday, we are thrilled that Jenn Stark, of Know Your Brand will be here to share on The Power of Author Branding.

And are you sitting down? Friday, Madame Zelda returns with her 2009 predictions for Seekerville.



Reserve the Date: Marlena Fortune will be back in Seekerville on March 4.

She has promised to answer all your pressing contest and writing questions. Send your questions to tina@tinarusso.com, with Marlena Fortune in the subject line. Your name remains anonymous, however if you submit a question you will be entered into a drawing to win a Marlena Fortune surprise package (value undetermined), to further culture and sophistication in the romance writing community.


In the meantime you can catch up on our Marlena posts
in the archives here and here.


Many thanks to Susan J. Reinhardt and Rita Gerlach for giving Seekerville the


Premio-Dardas Blog Award. That's twice even!!

"This award 'acknowledges the values that every Blogger displays in their effort to transmit cultural, ethical, literary, and personal values with each message they write.'

Awards like this have been created with the intention of promoting community among Bloggers. It's a way to show appreciation and gratitude for work that adds value to the Web."


Here are the rules:


1. Accept the award, post it on your blog together with the name of the person who granted it to you, along with his/her blog link.

2. Pass the award to (15) other blogs that you feel are worthy of this recognition. Remember to contact each of them to let them know they have been chosen as recipients.

Since there are 15 Seekers we each will list a blog and will post this next weekend in Seekerville.

Again, thank you, Susan and Rita!

Saturday, January 24, 2009

Saturday Edition: Big, Huge, Ginormous News From Unpubbed Island



We're having a party on Unpubbed Island. The palm trees have sparkly white lights and we started a bonfire. The launch will be here soon to escort another Seeker to the mainland. We're so excited we can't stop screaming and crying tears of joy around here.


15 Seekers

9 Have Sold

Guess who is leaving the island....



At 7:25 a.m. Friday, January 23, 2009, Melissa Endlich, Senior Editor

at Steeple Hill Loved Inspired, called

-- and made an offer on "An Inconvenient Love."

I accepted and it will be an October 2009 release!!!



Congratulations to Glynna Kaye!!





Friday, January 23, 2009

KILL THE WIMPS~Mary DeMuth



Seasoned and nubile writers scribble notes while the lecturer shares her publishing expertise. Both a magazine editor and a creative writing professor, Sandra Glahn teaches the workshop “The View from the Editor’s Desk” where she extols the benefits of beefy verbs and pines for the demise of adverb overuse. She finishes her time with the writer’s group by asking, “Any questions?”

A woman in the back raises her hand. “You mean I need to go through all my past manuscripts and make the changes you suggested in your lecture?”
Sandra nods. “Yes, if you want to be published.”
“That’s too much work,” she says. She never returns to the group.
Writing isn’t for wimps. It’s an arduous adventure where writers scale an ever-increasing learning curve. For beginning to advanced writers, the question remains: What do you do with the new knowledge you’ve gained from that writing seminar, book, or lecture? Stop learning? Embrace your inner wimp? Push through and improve the craft?
The following are four ways writers can react to learning new techniques and skills. Two ways coddle the inner wimp; two others kill him.

Embrace your inner wimp by giving up. Those editors and educators don’t know a thing about your genius! They can’t recognize stellar, winsome prose, or seize upon your raw talent. What do they know?

George starts writing, believing his second grade teacher to be a prophet. “You’re a terrific writer,” she penned across his summer vacation story in happy red ink. He’s coddled that affirmation all these years—something that’s hardened him to actual feedback. After several attempts to convince fellow writers of his abilities, he gives up. George stores his spy thrillers in a box in the garage, spending his days looking up his second grade teacher on Facebook. He’s embraced the wimp, lazing around the Internet, murmuring about what could have been.

Feed your inner wimp by submitting subpar writing. I call this the delusional, yet hopeful writer—one who believes she’ll break through by submitting, submitting, submitting.
Edna comes to writer’s group month after month, bringing the same story in increments of five pages. Although the group has kindly reminded her to flee passive voice and curtail her purple prose, she continues to stubbornly adhere to her ways.
She submits faithfully to contests and the occasional publisher who takes unsolicited manuscripts, and she garners rejections aplenty. She never learns; it seems beneath her. She will never be published, but she is sure she will be. She feeds the wimp, preferring lazy writing with a kick of tenacity to genuine improvement.

Kill the wimp inside by grunting through your old drafts. If you’re wondering what the publishing process is like, take an old piece of yours and rip it to shreds in light of what you know now. When you sell your first book, you’ll experience the same kind of work—agonizing over run on sentences, discovering, then slaying, your pet words and phrases, killing clichés, cutting paragraphs and chapters that don’t propel the reader forward. It’s never too late to go back and fix things, but be warned: sometimes it’s better to let those stories and articles go. You could mire yourself in your inadequate past.

I’ve taken unsold articles, revamped them, and sold them. I’ve tried to resurrect my first (yet unpublished) novel several times, resuscitating my flabby descriptions and plot flaws, only to tangle myself inside the story, weary and unmotivated. I’ve killed the wimp by grunting through, sometimes with success, sometimes without.

Kill the wimp inside by forging ahead. When you’ve discovered your penchant for adjectives, instead of slaying them in the cobwebs of past documents, move boldly forward, writing clean, powerful sentences chock full of strong nouns and verbs. Sometimes it’s right to turn the page of your past body of work in order to construct better pages today.
Give yourself permission to say goodbye, so you can say hello to great writing in the present.

Mayla wrote four good novels. During the process, she read writing books, attended conferences, and welcomed hard critique. She views her books as stepping-stones to publication, but she won’t resurrect them. Instead, she pens a new novel, armed with new expertise. The result? She’s a finalist in a prestigious first-novel contest, and an agent has requested the full manuscript. She has successfully killed the wimp by moving forward.

Place yourself in a writer’s group. Hear a lecture about strengthening your prose and take notes. Raise your hand. Instead of lamenting all the changes you’ll have to make now that you know better, simply tell the lecturer thank you, and vow to kill the wimp lurking inside.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
M a r y E. D e M u t h’s parenting books include Authentic Parenting in a Postmodern Culture, Building the Christian Family You Never Had, and Ordinary Mom, Extraordinary God. Her real-to-life novels inspire people to turn trials into triumphs: Watching the Tree Limbs (2007 Christy Award finalist, ACFW Book of the Year 2nd Place) and Wishing on Dandelions (2007 Retailer’s Choice Award finalist). Mary is currently working on three novels and an upcoming memoir.
http://www.marydemuth.com/

Thursday, January 22, 2009

Writing goals for 2009

Camy here, talking about Writing Goals for 2009!

Pam Hillman recently shared her writing goals with us, and I was totally impressed how she broke things down into quarters.

What that mostly did was to help her target herself in terms of writing efficiency. She challenged herself to write a certain amount—or at a certain speed—by a certain date.

I thought this was brilliant. It was good for me because it inspired me to figure out my own writing goals, challenging myself to a certain amount of writing by a certain date.

I thought it would also be good for any writers who really don’t know how fast or how much they can write within a certain time period. If you are one of them, why not challenge yourself to a few quarterly writing goals?

Here’s an example of my writing goals for 2009:

1st Quarter: (January 1st to March 31st)
1. Finish line edits for Deadly Intent, due January 7th
2. Write proposal for next romantic suspense novel by January 31st.
3. Complete Marketing Info Sheet for The Year of the Dog by March 1st.
4. Coordinate the American Christian Fiction Writers 2009 Genesis contest for unpublished writers.
5. Prepare for my HeadStart mentoring group for Mount Hermon Christian Writers Conference. (If you’re a beginning writer, and if you can swing the cost of the conference, the HeadStart program is a great way for new writers to get all the information they need to jump start their writing career. Learn from my mistakes!)

2nd Quarter: (April 1st to June 30th)
1. Finish writing The Year of the Dog by May 1st.
2. Write my next romantic suspense novel (assuming the proposal is contracted—crossing my fingers).
3. Work on “The Lone Rice Ball,” the fourth book (novella) in my Sushi series (it’ll be available as a free ebook download to members of my newsletter YahooGroup).

As you can see, I have a few non-writing goals like coordinating the Genesis contest and preparing for Mount Hermon writers conference, but aside from those, my writing targets are clear. I’m trying to finish a proposal within a month, and then finish the Marketing Info Sheet (like an Art Fact Sheet used by Harlequin authors) the next month. Then I need to finish writing my manuscript by May 1st (that’s a publisher-set deadline rather than my own, but it’s still a deadline).

Your writing goals don’t have to be as harsh as mine (since I write full-time, I have more time to devote to these things). But you should try to set some goals for yourself that will prod you to write faster or more consistently.

Remember, writing is a business—otherwise, why would you be entering all those contests?—and so treat it like one. Motivate yourself to work harder at your chosen profession, and don’t give in to self-doubt. You can do it!

Camy Tang writes romance with a kick of wasabi. Her novel Single Sashimi is out now, and she runs the Story Sensei critique service. In her spare time, she is a staff worker for her church youth group, and she leads one of the worship teams for Sunday service. On her blog, she gives away Christian novels every Monday and Thursday, and she ponders frivolous things. Sign up for her newsletter YahooGroup for monthly giveaways!

Wednesday, January 21, 2009

Brainstorming Your Next Bestseller


by Debby Giusti

Some writers can take a sliver of an idea and develop it single-handedly into the next bestseller. The rest of us need to jump start the creative process by brainstorming.

American advertising executive Alex Osborn developed the technique in the 1930s, and since then, brainstorming has been used in business boardrooms, in academia, in the arts and even in the world of romance novels to generate a wide range of new ideas.

Initially, I thought writers developed stories on their own with little or no input from others. You can imagine my surprise when, after a monthly Georgia Romance Writers’ meeting, I heard published authors mention their quarterly brainstorming retreats. Within that group were such notable writers as Deborah Smith, Sandra Chastain, Nancy Knight, Virginia Ellis, Donna Ball and Deb Dixon of GMC fame. They talked about building on one another’s ideas to end up with story lines far more satisfying than they could have created working alone. These were successful women who between them had published more than 200 books with millions of copies in print.

Didn’t take me long to realize I should follow their lead. Soon I joined with other unpubbed GRW members to brainstorm our stories. At each gathering, creativity was given free rein, and the results were amazing. Whether we were discussing our own books or someone else’s, we all benefited from the sessions, honed our storytelling craft and became more adept at developing compelling plots and engaging character.

These days I brainstorm the major story lines for my books with my critique partners, Darlene Buchholz and Anna Adams. Often I’ll fine-tune a specific plot point with my family as we gather around the kitchen table or with my husband when we take our daily walks.

So how’s it work? Here are some basic guidelines:

1. Gather a group of folks—three to six people—who are interested in fleshing out story ideas.

2. Allot at least thirty minutes to brainstorm a manuscript before moving on to the next one. Assign a timekeeper so every story gets equal time.

3. The first writer presents a general overview of how she plans to develop her story and asks for input in certain areas. For example: If the writer is having trouble with character development, she might ask for character traits and motivation that would make her heroine react in a specific way.

4. Criticism or negative comments hinder creativity and should be put on hold.

5. The group throws out ideas, sometimes in rapid succession. Often one comment/idea will dovetail with another or will spark a new direction for exploration.

6. Thinking outside the box should be encouraged.

7. If the focus becomes skewed, the writer can redirect the discussion to a path she believes would prove more fruitful, once again, using positive comments rather than anything negative or critical.

8. At the end of the time period, the writer reviews the suggestions she feels have merit and thanks the group for their help before the next writer takes her turn.

Brainstorming works so give it a try!

By the way, the six GRW authors I mentioned brainstormed their way into the publishing industry when someone threw out the idea of creating a small press where Southern writers could find a home. The way I heard it, Deb Dixon gave voice to the concept as they drove to the beach for a week long brainstorming retreat. By the end of the week, BelleBooks was born. To date, they’ve published over thirty novels and anthologies, which they claim represent “Southern Fried Fiction At Its Finest.”

Happy writing!

Wishing you abundant blessings,
Debby Giusti
www.DebbyGiusti.com
www.ladiesofsuspense.blogspot.com

Watch for Debby's next book, PROTECTING HER CHILD, in May 2009. YULE DIE will be out in December 2009, and KILLER HEADLINE will follow in February 2010.

Tuesday, January 20, 2009

Character Chart Template

Last month on Dec 16th I talked about Plotstorming (character-driven plotting) here.

As promised, here are snippets of a character chart for example. Rarely do I fill out the entire thing. Fill out as little or as much as you want/need in order to know and round out your characters. I normally only do one of these for my hero and heroine. By all means add to the list if you please. LOL! To simplify things, “C” means “Character.”

Name______________ Age_____ Education _____________
(From here on out I am omitting the lines for brevity)
Current Career
Pertinent past careers/training
Celebrity look-alike (if any)
Type of dress/style
Hair color and style
Eye color and shape
Other physical attributes/description/build/physique/body type
Height and weight
Physical limitation/scar/injury/disability (if any)
Pertinent background/backstory/Pertinent past events (good or bad)
Greatest accomplishment/achievment in their eyes
Defining moments
Traumatic events that have shaped them
Greatest dream
Greatest fear
Where they grew up
Where they live now
Family history
Family dynamics now
Children? # and background
Relationship history
Divorced, Single, Widow, Widower, Estranged (circle one)and why
Current view on relationships
Describe their current relationship with God
Belief system and struggle
Faith system and struggle
Personality type (A, B, Etc. Alpha, Beta, Theta, Etc.)
Archetype if any (ex. Chief, Bad boy, Charmer, Etc.)
Temperament (This can change by the end of the book with C growth.)
One-word adjective to describe C (most noble trait)
How friends/family would describe them
How they'd describe themselves
Flaw
Quirk
Vehicle they drive/ride/fly
Financial status/and how they manage and view money
Socioeconomic status/ and how they view it
Ever met hero/heroine prior. If so, how so?
Secondary C most important to main C
Story Goal
Motivation
Conflict (external/internal/relational/spiritual)


In addition, you'll want to know:
How H/h meet
What event/situation/plotpoint keeps throwing H/h together during book
What event/situation/plotpoint/character keeps them apart during book


Etc. Etc, Etc. and a gazillion other things. This character chart is literally PAGES long. This list is not conclusive because I don’t have two miles of space in which to type. LOL! This just examples the kinds of things that can go into a character chart SHOULD YOU DECIDE TO USE ONE. Many authors don’t. At times I don't fool with filling out any kind of chart if I'm on a tight deadline. So don’t feel bad if this method doesn’t work for you technique or time wise. Using these charts helped me to flesh out my characters better in the beginning. They also make filling out my Art Fact Sheet easier for my publisher when the time comes. The chart enables me to get the material to them expediently.

Don’t let filling out charts be a procrastination device or a substitution for ACTUAL WRITING. If you’re a panster, by all means, skip over all this nonsense and JUST WRITE. LOL.

Some people use Archetype examples, sketches or grids. Those things make my eyes cross as I’m sure this chart will make some of yours. LOL. I’m more of an instinct writer than anything else. This method works for me because I am a list person. Find what works for you.

Feel free to copy my character chart and tweak it to make it your own. Just delete my answers and fill yours in. If you use it, all I ask is that you give me credit.

For brevity’s sake I will post a copy of the specific character chart that I used for Pararescuer Ben’s story (Ready-made Family-available online now and will be in stores the month of April, 2009) in a future blog post. RMF is also the book I referenced in the Plotstorm post. I will also use this book to example the Scene Index in one of my upcoming posts. Probably February and March.

Links of other character chart variations for example:

JUST COPY AND PASTE THESE INTO YOUR BROWSER.

http://www.margaretdaley.com/articles.htm#ctdc

http://www.epiguide.com/ep101/writing/charchart.html

http://www.eclectics.com/articles/character.html

http://www.charlottedillon.com/CharacterChart.html

http://www.docstoc.com/docs/2785326/FICTION-CHARACTER-WORKSHEET

http://www.docstoc.com/docs/2785081/Character-Motivation-Worksheet

http://www.docstoc.com/docs/424917/Fiction-Writers-Character-Chart

http://groups.google.com/group/WritingTips/browse_thread/thread/1c562f52d0991a80

Note: many of those are copyrighted. If you post them somewhere, you must give the original author credit. Some, you need permission to reprint. Even if there’s no formal copyright. I respectfully ask that you give proper credit to the authors or site if you share these anywhere.

Excellent resource link containing a gazillion books on characterization:
http://www.gabrielleluthy.com/art_characters.htm
Warning: some book titles may be offensive to young readers.

Okay, your turn.

• Writers, what do you have to know about your character prior to writing a book?
• Readers, what in your opinion (traits, etc) constitutes a memorable, likable hero or heroine?
• What book and movie heroes and heroines come to mind when you think of top-notch characters?
• What made them so?

Monday, January 19, 2009

Welcome Renee Ryan!

I'm so pleased to welcome my longtime Internet friend, Renee Ryan, who I've also now had the pleasure of meeting in person. Renee and I go way back to the AOL contest boards (were any of you ever on there?), so I've gotten to cheer her along the way, starting with contest finals and wins. And now I'm thrilled to be a fellow Love Inspired author with her! Renee has an amazing story, so here she is...
A WRITING DRY SPELL
Renee Ryan

It is a great honor to be a guest here today. Thank you to all the writers at Seekerville for inviting me, and especially Missy Tippens, my fellow Steeple Hill author. I’ll be giving out three autographed copies of my February release, THE MARSHAL TAKES A BRIDE, throughout the day today so stick around and see if we draw your name.

When Missy and I discussed what I would talk about today I immediately thought of my writer’s journey. In some ways, I have one of the best first sale stories I’ve ever heard, but I also have one of the longest dry spells between a first and second sale that I’ve ever heard as well. So, let’s start with the fun part. My first sale, which was back in November 2001.

On a fluke, I entered a manuscript in the inaugural Romantic Times/Dorchester Publishing New Historical Voice Contest. There were over 300 entries so I didn’t think I had a prayer of making the finals. Besides, I was in the midst of a cross country move and didn’t have time to fret over it. Less than a week in my new home, and still living out of boxes, I received a letter that had been forwarded to my new address. The date was from two weeks prior and said that the editors liked my entry but couldn’t make any promises of a sale. If I was still interested in being considered for the contest, could I send the full manuscript for further consideration?

Needless to say, I panicked. The letter was two weeks old. Surely, I was out of time. Nevertheless, I dug out my computer (it was under countless other boxes) and quickly printed out the entire manuscript on a rickety old printer I also had to dig out of yet another box. I over-nighted the full to the New York offices that same day. PHEW!

Less than a week later, the manuscript was named as one of three finalists in the contest. The first fifty pages were posted on the Romantic Times Web site for readers to vote on their favorite. Booksellers made up the other half of the voting pool. I found out I had won the contest at the Romantic Times Convention when the editors from Dorchester Publishing revealed my book cover in full poster size on stage in front of all the conference attendees.

Needless to say, when the poster was uncovered much screaming ensued. I mean, WOW! I thought I’d really made it. I had just sold a book to a New York publishing house in a very public manner. I was going to get national exposure in the RT magazine. I was on my way. Er, right? Nope.

EXTREME MEASURES was my first and last book with Dorchester. I never sold another secular romance. In fact, for five years I couldn’t buy attention for any of my manuscripts, and there were many! No editor was interested. No agent. Nobody. I had hit the big time only to fizzle out as a one-book-wonder. The horrors!

I knew it was time to rethink my career path. I had to stop chasing the all-elusive second sale and decide what I wanted to do with my life. Did I want to keep writing or do something else entirely? I had a son starting his senior year in high school and a daughter starting her first year in middle school. I decided to focus on my family. My children would not be young for long. I knew I would never get that time back.

On a personal level, I began attending intense Bible studies, mostly Beth Moore studies. If you’ve never done a Beth Moore Bible study you don’t know what you’re missing. Her words convicted this shaky Christian to re-evaluate her daily faith walk. I realized that it was time to reconsider what types of books I was writing and why I was writing them. From that point forward, I decided to honor God with all of my efforts. I immediately stopped calling my writing a career and started referring to it as a ministry.

THE MARSHAL TAKES A BRIDE, my February Steeple Hill Love Inspired Historical release, is the first successful result of that change in direction. God has blessed my ministry ever since. I am finishing up my fifth contracted manuscript as I type this. That’s five sales before the first release hit the shelves. Luck? No way. It’s all God! Like Paul says, I boast only in the Lord.

What about you? Have any of you suffered through a long dry spell like mine? Any words of wisdom for the rest of us?

Renee Ryan writes for the Steeple Hill line Love Inspired Historical. Her fabulous editor is Melissa Endlich of Steeple Hill. Her first book in the Charity House series, The Marshall Takes a Bride is a current February 2009 release. Her next book in the series, Hannah’s Beau, hits the shelves July 2009. For further information check out www.reneeryan.com

Sunday, January 18, 2009

Seekerville Weekend Edition

There's a lot going on in Seekerville and the publishing world. Here's your weekend update!


First, congratulations to Donna Rich, winner of the Crystal Miller partial evaluation. If you didn't read Crystal's information post,Dare Your Reader to Risk Reading Your Book then check it out now.



Seekerville is taking the contest circuit by storm. Congratulations to Ruth Logan Herne who double won Finally a Bride. And congratulations to one of Seekerville's regular visitors, Cat Shield who also placed in that contest.


January 15 was the deadline for the Marlene. For those of you cheering from the sidelines, that means the game has begun. The Tina and Vince contest challenge is under way.

Next Week in Seekerville:

Monday: Steeple Hill Love Inspired Historical author Renee Ryan will be here to share about her road to publication.


Tuesday: Steeple Hill Love Inspired author Cheryl Wyatt will continue her writing series with the next installment on characters. Check out her last post on plotstorming.


Wednesday: Steeple Hill Love Inspired Suspense author, Debby Giusti posts.


Thursday: Zondervan & Steeple Hill Love Inspired Suspense author, Camy Tang on Writing Goals.


Friday:Author Mary DeMuth is going to Kill the Wimps!




Thank you to Cathy Bryant for honoring Seekerville with the Well Worth Watching, Blog Award!



Industry News:


Nita Taublib has been named Bantam executive vice president, publisher, and editor-in-chief at Random House. (Publishers Lunch, January 15)



Dear Authors, Inaugural Podcast: Interview with Harlequin's Malle Vallik, Director Digital Content & Interactivity.


Dorchester Publishing to deliver books in eBook, digital formats. (January 13, Macsimum News)


Avon Harper Collins brings you Romance Radio! Tune in for exciting new radio shows featuring the very best authors in romance. Browse the archives for past favorites like our Paranormal or Historical Fiction chats at RWA or tune in for an upcoming show.

Friday, January 16, 2009

Ruthy double wins in Finally a Bride contest

From our illustrious tyrant:

Good morning, Seekers! I just found out that Running on Empty and Seeking the Garden tied for first in Finally a Bride!!!!

Yay, oh yay!

Final judges for FAB inspirational this year were Melissa Endlich of Steeple Hill (who graced us with her presence not long ago, including pics of the well-dressed knight) and Rebecca Germany of Barbour (who puts up with our beloved Mary on a regular basis, bless her heart!)

Both editors requested full manuscripts.

Oh mylanta!

Okay, before I get arrested for overuse of exclamation points, let me thank the contest coordinators and judges from FAB. The judges were strong, offered good advice (which I took, by the way) and made perfect sense in their critiques.

I only wish I could say the same about my critiques, LOL!

Ruthy


Super mega congrats, Ruthy!

Using (Minor) Adversity to Breathe Life into Fiction


Picture this scene:

On the back porch of a house in a suburban Texas neighborhood, one small, brown snake lay curled around itself in the warm afternoon sun. A twelve-year-old boy spies the snake and alerts his brother and cousins. Soon, five children clamor around the reptile, pointing and hollering loud enough to attract the attention of the two middle-aged moms—my sister and me—who are inside the house. We shoot out the front door and run full-speed to the backyard.

“Josh,” I ask my son, “is its head triangular or round?”

The group consensus is that it has a round head—it’s probably a garter snake—but I don’t want a snake in my yard, even if it’s not poisonous. I grab a shovel and a bucket.

Who am I kidding? The snake isn’t going to cooperate. It’s going to lunge, and I’m going to scream and fling the shovel. We need a container with an opening large enough for some wiggle room. I put down both the shovel and the bucket and pick up a cooler. “Let’s try this. Wait . . .” I peer at the open drain spout. “With the plug missing, that’s a pretty big opening. Do you think the snake can squeeze through here?”

“No,” my sister answers, “but even if it can, we’ll find something to plug it up.” She picks up the shovel.

Five barefooted children huddle around us like we need their help. Okay, I had asked my son if he thought it was poisonous. Now I remember that I’m the adult and responsible for their safety. I make swooping arm motions. “Y’all get back.”

I’m still worried about the opening in the cooler. I want to stuff it with a plastic bag, a stick, something. But there’s no time.

My sis has slid the shovel across the cement. Oops. The area isn’t smooth and she’s not able to slide under the snake easily like a spatula lifting a brownie.

The snake quickly slithers toward safety in the grass. Like a mother bear, my sister protects our young and attacks the reptile.

Whack!

She strikes, but misses.

I shriek, which helps so much.

She charges the snake into the grass.

Whack!

Another miss.

Another whack!

And another.

We no longer see the snake, so I suppose I can stop shrieking.

Whew! Hopefully, it has hightailed it to Austin by now. I really don’t care where it is—as long as it’s not on my property.

As the scene unfolded in my yard, I knew this little drama was worth it because someday it would play a small role in my fiction.
~~~
Adversity.

So when you face trials, even small ones, instead of getting upset, grab a piece of paper and jot down notes. With a simple change of your attitude, you can allow “all things to work together for good. “ Not only will you make lemonade out of your lemons, you’ll find that you have great stories to tell.

Seems like I’m adding to the list every day. Oh, well. They’re only inconveniences, like a snake on the back porch, but they’re going to become conflicts for my characters.

Join me in using adversity to breathe life into our fiction.

~Roxanne Sherwood~


Thursday, January 15, 2009

FASTER THAN FAST FOOD

GRANDBABY PICTURE. ELLE-TWO DAYS OLD


Since we’re all really busy people, I’m throwing some FAST recipes at you all today.

I've long believed that being a good cook isn't about culinary art, it's about picking a good recipe.

I am completely capable of making more difficult dishes but I don't very often, when I've got recipes the family likes that are done in the time it takes to brown the hamburger.

The speed doesn’t always include baking time. These meals aren't all DONE in fifteen minutes or less. It's preparation time, which is what counts for me.

For example, the French Dip Sandwiches cook in a crock pot all day. That's the only way I make roasts anymore, too. But my time spent in meal preparation is 15 minutes or less.

One disclaimer note...I have read and reread these recipes, but if it says 1 cup of salt, USE YOUR HEAD. It's a typo. If you want to ask questions, email me at mary@maryconnealy.com

French Dip Sandwiches
1 rump roast
1 C. beef consommé (buy it canned in the soup section of the store)
1 can beef broth (canned)
1 C. water
1 pkg. Good Season's Italian Dressing
Put in crock pot for 8 hours on low. Slice meat. Serve on hoagie buns. Use liquid for French Dip sauce. Serve sauce in coffee cups or small bowls.

Three Bean Hamburger Casserole
We actually call it Moosehead – My girls and I were just being silly. When you read Petticoat Ranch, you’ll get some idea why my husband, from a family of seven brothers, had a bit of trouble having four daughters--who named their food, then giggled for an hour over it.

1 lb. hamburger (browned)
1 can pork & beans
1 can butter beans
1 can kidney beans
I skip the extra beans most of the time and just use pork & beans. Otherwise the recipe is too big. Add:
½ C. brown sugar
½ C. catsup
1 T. mustard
Heat thoroughly, serve. The kids just love this. It's probably because of the brown sugar.
Peace Out
Bye from Elle

Wednesday, January 14, 2009

The Romance Writers Guide To Lists

I love lists.

I love writing to do lists and checking each item off.
I love informational lists too.

The January 2009 issue of Real Simple magazine is devoted to lists. Alas, not romance and romance writer lists.

Today in Seekerville, we correct that omission.






Romance Lists



Top Ten Romantic Comedies

  1. 1.City Lights
  2. Annie Hall
  3. It Happened One Night
  4. Roman Holiday
  5. The Philadelphia Story
  6. When Harry Met Sally
  7. Adam's Rib
  8. Moonstruck
  9. Harold and Maude
  10. Sleepless In Seattle

Top Romance Classics

My list in random order.
1. Princess Bride
2. When Harry Met Sally
3. Jerry Maguire
4. Working Girl
5. Moonstruck
6. Hope Floats
7. An Affair to Remember
8. Casablanca
9. Sabrina
10. Sleepless in Seattle
11. While You Were Sleeping
12. Ghost
13. The Way We Were
14. Breakfast at Tiffany's
15. An Officer and A Gentleman
16. West Side Story
17. Top Gun
18. Becoming Jane
19. Emma
20. Pride and Prejudice
21. Out of Sight
22. The Big Easy
23. Gone With The Wind
24. The Thomas Crown Affair
25. Bull Durham



Memorable Romantic Movie Lines

Take love, multiply it by infinity and take it to the depths of forever.. and you still have only a glimpse of how I feel for you.~ Meet Joe Black


I love that you get cold when it is 71 degrees out. I love that it takes you an hour and a half to order a sandwich. I love that you get a little crinkle in your nose when you're looking at me like I'm nuts. I love that after I spend day with you, I can still smell your perfume on my clothes. And I love that you are the last person I want to talk to before I go to sleep at night. And it's not because I'm lonely, and it's not because it's New Year's Eve. I came here tonight because when you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible.~ When Harry Met Sally


I love him! I love him for the man he wants to be. And I love him for the man he almost is.~Jerry Maguire


You... you complete me.~ Jerry Maguire.

Since the invention of the kiss, there have only been five kisses that were rated the most passionate, the most pure. This one left them all behind.~Princess Bride

Have you never met a woman who inspires you to love? Until your every sense is filled with her? You inhale her. You taste her. You see your unborn children in her eyes and know that your heart has at last found a home. Your life begins with her, and without her it must surely end.~Don Juan DeMarco

Well, it was a million tiny little things that, when you added them all up, they meant we were suppose to be together... and I knew it. I knew it the very first time I touched her. It was like coming home... only to no home I'd ever known... I was just taking her hand to help her out of a car and I knew. It was like... magic. ~Sleepless in Seattle


Top 100 Romance Novels of The 20th Century
by the readers of The Romance Reader. Here are the first 20:


1. Outlander by Diana Gabaldon
2. Dream Man by Linda Howard
3. It Had to Be You by Susan Elizabeth Phillips
4. McKenzie’s Mountain by Linda Howard
5. Knight in Shining Armor by Jude Devereaux
6. Flowers from the Storm by Laura Kinsale
7. The Bride by Julie Garwood
8. Lord of Scoundrels by Loretta Chase
9. Nobody’s Baby But Mine by Susan Elizabeth Phillips
10. Morning Glory by LaVyrle Spencer
11. Whitney, My Love by Judith McNaught
12. Naked in Death by J. D. Robb
13. Shanna by Kathleen Woodiwiss
14. Honor’s Splendor by Julie Garwood
15. Paradise by Judith McNaught
16. Almost Heaven by Judith McNaught
17. Heaven, Texas by Susan Elizabeth Phillips
18. The Flame and the Flower by Kathleen Woodiwiss
19. Dragonfly in Amber by Diana Gabaldon
20. Born in Fire by Nora Roberts





  • Romance fiction: $1.375 billion in estimated revenue for 2007
  • Religion/inspirational: $819 million
  • Science fiction/fantasy: $700 million
  • Mystery: $650 million
  • Classic literary fiction: $466 million
The Subgenres Within The Romance Publishing Industry (as defined by RWA):

  • Contemporary Series
  • Historical
  • Inspirational
  • Novels with Strong Romantic Elements
  • Paranormal
  • Regency
  • Romantic SuspenseYoung Adult

Book Lists:

New York Times Fiction

Barnes & Noble Top 100 In Books

Publisher's Weekly Fiction Bestseller List


The RITA Awards
ECPA Bestsellers

The National INDIE Bestsellers

USA Today Bestsellers

CBA Bestseller Lists



The 20 Master Plots by Ronald B Tobias

1. Quest
2. Adventure
3. Pursuit
4. Rescue
5. Escape
6. Revenge
7. The Riddle
8. Rivalry
9. Underdog
10. Temptation
11. Metamorphosis
12. Transformation
13. Maturation
14. Love
15. Forbidden Love
16. Sacrifice
17. Discovery
18. Wretched Excess
19 & 20. Ascension and Descension


Resource Books for Writers

Goal, Motivation & Conflict by Debra Dixon

Scene & Structure by Jack Bickham

Write Tight by William Brohaugh

No More Rejections by Alice Orr

Creating Unforgetabble Characters by Linda Seger

Characters, Emotions & Viewpoint by Nancy Kress

Creating Characters by Dwight V Swain

Fiction is Folks by Robert Newton Peck

The Comic Toolbox by Joh Vorhaus

Screenplay by Sid Field

How to Tell a Story by Peter Rubie and Gary Provost

Writing the Breakout Novel by Donald Maass

Plot by Anson Dibell

Writing the Novel by Lawrence Block

Making a Good Script Great by Linda Seger

Writing the Romantic Comedy by Billy Mernit

The Writer's Journey by Christopher Vogler

No Plot, No Problem by Chris Baty

Deep Writing by Eric Maisel

Techniques of the Selling Writer by Dwight V. Swain

38 Most Common Fiction Writing Mistakes by Jack Bickham




And finally, because you are my friends,
I am going to share my very own To Do List:

1. Get off Unpubbed Island

2. If I can't get off Unpubbed Island get rid of Seeker who snores

3. Buy Armani suits in charcoal so I look more like Nora

4. Practice signing my name with flair

5. See if Susan Elizabeth Phillips wants to collaborate on a book

6. Ask my grandmother to stop writing on my wall on Facebook

7. Send Crystal Laine Miller chocolate and often

8. Remind my agent who I am

9. Find high school year book photo for my Press Kit

10. Write six books