As we enter conference season, one thing writers who are pitching their work to editors and agents at face-to-face appointments stress about is their ‘one sheet.’
If you’re new to this writing lark, you’re probably stressing right now over the fact that you didn’t know there was such a thing, much less that you should be stressing about it!
Never fear. And don’t stress. One Sheet creation isn’t scary. It isn’t a great mystery. And it can be fun!
First of all, what is a One Sheet? (Also known as a Pitch Sheet.)
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| The is the one sheet for my first published novel! White space is not a bad thing! Though there is a lot to pack into a one sheet, don't make it so cluttered that the reader won't know where to look or what's important. |
Basically, it’s a mini-proposal. With pictures, colors, and fancy font, all the things you’re not supposed to use in a full-length proposal. It's an aid to you and to the agent/editor when discussing your story.
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| The backside of my one-sheet...don't waste all the space on the back of the page. Fill it with cool stuff! Because I was targeting a specific line, I included information that the editor would be looking for, such as a state emphasis and Scripture verses for each character. (Heartsong Presents) |
Second, what goes on it? Lots of fun stuff, some strongly recommended, some optional.
Third, how do I make one, and how can I make one that will grab an editor’s eye and mind and really showcase my story and myself?
Stress, stress, stress!
Deep breath. We’re going to break it down into bite-sized pieces, and thanks to the generosity of some friends, there will be lots of examples!
Deep breath. We’re going to break it down into bite-sized pieces, and thanks to the generosity of some friends, there will be lots of examples!
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| From Jaime Jo Wright! (She wanted me to tell you that she had this made by a friend who is a graphic artist.) I love the background picture which is of Split Rock Lighthouse, one of my favorite places to visit! The photograph gives a hint of the genre. |
What information goes on a one-sheet?
(These are not hard and fast rules, but rather they are guidelines. If you see the examples in this post, you'll note that they are all a bit different...just like writers.)
1. Contact information. Name, email, phone.
2. Agent information. (If you have one. Name/Agency, email, phone.)
3. Title of the story.
4. Genre of the story
5. The elevator pitch. (30-50 words to hook the editor.)
6. A brief summary of the story. (Think back cover copy.)
7. Author bio. (Brief, but put in the writer stuff that makes you awesome.)
8. The status of the manuscript. (Is it complete? How many words is it? Are sample chapters available upon request?)
9. If the book is meant to be part of a series, one paragraph descriptions of subsequent books.
10. Brief character bios.
11. Brief marketing/historical relevance/platform ideas
That’s enough to be going on with, isn’t it? But before you go back to stressing, most of these things are EASY-PEASY, and you already have the information you need, it just needs to be organized. So let's take each of these items individually and break them down.
Contact Information – simple enough, since you know your name, phone, and email, right?
Agent Information – also simple. If you have an agent, put his/her contact info here. If you don’t, leave it out. If you’re pitching to an agent, they’re going to know you don’t have an agent yet, and if you are pitching to an editor, it is okay to tell them you are un-agented at this time.
Title – This might only be a working title, but you have to call the story something, and here’s a chance to showcase your creativity. Shorter is better, but do a little research. Go to amazon.com or christianbook.com and search for your title idea. You don’t want to accidentally give your book the same title as one that’s already been a blockbuster. I mean, technically, you could call your story about a boy who loses his homework in a hurricane “Gone With The Wind” but I wouldn’t recommend that.
Genre – This is important. You must identify a genre for your story. Mystery, historical romance, suspense, women’s fiction, thriller, horror, young adult. Pick something that will give the agent/editor somewhere to start. Don’t try to be too weird or creative or out there on this one. The agent or editor wants to know where in a bookstore would your title be shelved. If they take your story to the publication board, marketing and publicity will want to know what it is they’re supposed to be selling to bookstore buyers. Clarity is important on this one.
Elevator Pitch – In 30-50 words what is your story about? Short and to the point. Give the main conflict of the story.
Examples: (Can you guess the movie?)
Imperial Forces hold a princess hostage in their efforts to quell the rebellion against the Empire. An orphan and a mercenary work together to rescue the princess, help the Rebel Alliance, and restore freedom and justice to the Galaxy.
When a young woman is killed by a shark near the tourist town of Amity Island, the police chief, an ichthyologist, and a grizzled ship captain engage in an epic battle of man vs. shark.
A super hero is forced to assume a mundane life after all super-powers are banned by the government. He longs for adventure, and he gets a chance when summoned to battle an out-of-control robot. Soon, he is in trouble, and it's up to his family to save him.
1. Contact information. Name, email, phone.
2. Agent information. (If you have one. Name/Agency, email, phone.)
3. Title of the story.
4. Genre of the story
5. The elevator pitch. (30-50 words to hook the editor.)
6. A brief summary of the story. (Think back cover copy.)
7. Author bio. (Brief, but put in the writer stuff that makes you awesome.)
8. The status of the manuscript. (Is it complete? How many words is it? Are sample chapters available upon request?)
9. If the book is meant to be part of a series, one paragraph descriptions of subsequent books.
10. Brief character bios.
11. Brief marketing/historical relevance/platform ideas
That’s enough to be going on with, isn’t it? But before you go back to stressing, most of these things are EASY-PEASY, and you already have the information you need, it just needs to be organized. So let's take each of these items individually and break them down.
Contact Information – simple enough, since you know your name, phone, and email, right?
Agent Information – also simple. If you have an agent, put his/her contact info here. If you don’t, leave it out. If you’re pitching to an agent, they’re going to know you don’t have an agent yet, and if you are pitching to an editor, it is okay to tell them you are un-agented at this time.
Title – This might only be a working title, but you have to call the story something, and here’s a chance to showcase your creativity. Shorter is better, but do a little research. Go to amazon.com or christianbook.com and search for your title idea. You don’t want to accidentally give your book the same title as one that’s already been a blockbuster. I mean, technically, you could call your story about a boy who loses his homework in a hurricane “Gone With The Wind” but I wouldn’t recommend that.
Genre – This is important. You must identify a genre for your story. Mystery, historical romance, suspense, women’s fiction, thriller, horror, young adult. Pick something that will give the agent/editor somewhere to start. Don’t try to be too weird or creative or out there on this one. The agent or editor wants to know where in a bookstore would your title be shelved. If they take your story to the publication board, marketing and publicity will want to know what it is they’re supposed to be selling to bookstore buyers. Clarity is important on this one.
Elevator Pitch – In 30-50 words what is your story about? Short and to the point. Give the main conflict of the story.
Examples: (Can you guess the movie?)
Imperial Forces hold a princess hostage in their efforts to quell the rebellion against the Empire. An orphan and a mercenary work together to rescue the princess, help the Rebel Alliance, and restore freedom and justice to the Galaxy.
When a young woman is killed by a shark near the tourist town of Amity Island, the police chief, an ichthyologist, and a grizzled ship captain engage in an epic battle of man vs. shark.
A super hero is forced to assume a mundane life after all super-powers are banned by the government. He longs for adventure, and he gets a chance when summoned to battle an out-of-control robot. Soon, he is in trouble, and it's up to his family to save him.
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| From Lorna Seilstad. This was a one-sheet she gave to her agent to use at appointments. The agent had all the rest of the info, but it gave her a visual reminder of Lorna's story when she was meeting with various editors. |
Brief Summary – Expand your elevator pitch to 100-300 words. Here you can use character names, occupations, and the unique situations in your book. Give the main goals of your characters, and the conflict that will keep them from getting to that goal.
Examples:
Sophie Edwards is doing just fine alone, until a strange-yet oddly familiar-man rides into her life, insisting on rescuing her and her four daughters. Can she find a way to love a headstrong mountain man? When Clay McClellan discovers his brother has been murdered, he's bent on finding the killers and seeing them properly hung. But first his Christian duty demands that he marry his sister-in-law. After all, Sophie needs someone to protect her - right? Faith and love help unruly wed newlyweds find common ground and a chance at love on the Texas frontier. Petticoat Ranch – Mary Connealy
Anything he can do, I can do better. At least that was what Cassie Bucknell thought before she pinned on Ben Wilder’s badge and took to patrolling the streets of Cactus Creek, Texas. Cassie has been in love with Ben since primer school, but Ben treats her like a little sister. When they are picked to swap jobs for a month as part of the annual Cactus Creek Challenge in their Texas hometown, the schoolhouse is thrown into an uproar, the jail becomes a temporary bank vault, and Cassie and Ben square off in a battle of wills that becomes a battle for their hearts. The Cactus Creek Challenge – Erica Vetsch
Examples:
Sophie Edwards is doing just fine alone, until a strange-yet oddly familiar-man rides into her life, insisting on rescuing her and her four daughters. Can she find a way to love a headstrong mountain man? When Clay McClellan discovers his brother has been murdered, he's bent on finding the killers and seeing them properly hung. But first his Christian duty demands that he marry his sister-in-law. After all, Sophie needs someone to protect her - right? Faith and love help unruly wed newlyweds find common ground and a chance at love on the Texas frontier. Petticoat Ranch – Mary Connealy
Anything he can do, I can do better. At least that was what Cassie Bucknell thought before she pinned on Ben Wilder’s badge and took to patrolling the streets of Cactus Creek, Texas. Cassie has been in love with Ben since primer school, but Ben treats her like a little sister. When they are picked to swap jobs for a month as part of the annual Cactus Creek Challenge in their Texas hometown, the schoolhouse is thrown into an uproar, the jail becomes a temporary bank vault, and Cassie and Ben square off in a battle of wills that becomes a battle for their hearts. The Cactus Creek Challenge – Erica Vetsch
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| From Renee Yancy. I love the color on this one! Nicely laid out, easy to read, and the truck picture is memorable! |
Author Bio – Make it fun, make it interesting, make it uniquely you! Read examples online and pick out the things that intrigue you or that you find interesting and see what in your own life you can single out that make you different from other authors. Include a photograph of yourself…a headshot preferably! You want the agent/editor to be able to make a connection between your story and yourself after the conference when they are sorting through the things they brought home and all the people they met.
Examples:
Best-selling, award-winning author Erica Vetsch loves Jesus, history, romance, and sports. She’s a transplanted Kansan now living in Minnesota, and she married her total opposite and soul mate! When she’s not writing fiction, she’s planning her next trip to a history museum and cheering on her Kansas Jayhawks and New Zealand All Blacks. You can connect with her at her website, www.ericavetsch.com where you can learn about her books and sign up for her newsletter, and you can find her online at https://www.facebook.com/EricaVetschAuthor/ where she spends way too much time!
Stephanie Morrill is the author of several young adult novels, including the 1920's mystery, The Lost Girl of Astor Street (February 2017, Blink/HarperCollins). Despite loving cloche hats and drop-waist dresses, Stephanie would have been a terrible flapper because she can’t do the Charleston and looks awful with bobbed hair. She and her near-constant ponytail live in Kansas City with her husband and three kids. You can learn more about her on her author site: www.StephanieMorrill.com
Brief Character Bios – (Optional and if you have space.) Here’s where you list your characters’ goals, motivations and conflicts, along with personality types, unusual occupations, or character-forming backs-story events that make your hero and heroine unique. Keep this succinct, just giving enough information to hook the reader.
Manuscript Status – Here’s where you tell the editor/agent if the story is done or not. FYI, if you are pre-published, you MUST finish the manuscript first. Agents and editors want to know that you can finish a book, that you can deliver on a story’s promise. List the manuscript’s word count in this section, as well as note that sample chapters are available upon request.
Series potential – Is this book meant to be the first in a series? If so, give a brief overview of subsequent books. Most series are three books. If you have a 20 book saga series planned, just give the overview of the next two in line, and mention the potential for more. If your book is meant to be a stand alone, that’s okay, too. Instead of talking about spin offs and sequels, you can state in this section that you have finished X number of manuscripts, give an elevator pitch for a couple of them you feel are your strongest works, and mention that they are available upon request.
Marketing/Promotion/Platform – Here’s where you can put all the things that give you selling clout. Your social media reach, your newsletter subscribers, podcast followers, etc. More and more, publishers want to know what your ‘warm market’ is. How can you help get the word out about your story?
Once you have all this information gathered, now it’s time to get your artist hat on. Now, you might be groaning that you have no artist hat, no graphics design ability, and no talent for assembling visually appealing designs. That’s okay, because there are lots of folks out there who do have that ability, and they would be happy to put it to use for you. I use Microsoft Publisher, but there are lots of programs you can use to create one sheets. Be creative, try different layouts, use templates or free form it. Remember white space is not a bad thing, but pictures can lend a lot of interest.
Manuscript Status – Here’s where you tell the editor/agent if the story is done or not. FYI, if you are pre-published, you MUST finish the manuscript first. Agents and editors want to know that you can finish a book, that you can deliver on a story’s promise. List the manuscript’s word count in this section, as well as note that sample chapters are available upon request.
Series potential – Is this book meant to be the first in a series? If so, give a brief overview of subsequent books. Most series are three books. If you have a 20 book saga series planned, just give the overview of the next two in line, and mention the potential for more. If your book is meant to be a stand alone, that’s okay, too. Instead of talking about spin offs and sequels, you can state in this section that you have finished X number of manuscripts, give an elevator pitch for a couple of them you feel are your strongest works, and mention that they are available upon request.
Marketing/Promotion/Platform – Here’s where you can put all the things that give you selling clout. Your social media reach, your newsletter subscribers, podcast followers, etc. More and more, publishers want to know what your ‘warm market’ is. How can you help get the word out about your story?
Once you have all this information gathered, now it’s time to get your artist hat on. Now, you might be groaning that you have no artist hat, no graphics design ability, and no talent for assembling visually appealing designs. That’s okay, because there are lots of folks out there who do have that ability, and they would be happy to put it to use for you. I use Microsoft Publisher, but there are lots of programs you can use to create one sheets. Be creative, try different layouts, use templates or free form it. Remember white space is not a bad thing, but pictures can lend a lot of interest.
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| Created by Lorna Seilstad. I love the way the design conveys the vintage feel of historical fiction. |
When you've created your one sheet, (and be sure to let some beta readers look at it and give their impressions, check for any errors, etc.) what do you do with it? When you go to your pitch session, take a couple of copies, that way, the agent/editor can have one, and you can have one to hang onto, and then you won’t wonder what to do with your hands during the appointment. You’ll have a ‘cheat sheet’ to refer to while you talk, too. J Sometimes the agent/editor will make notes on your page. Most times, they will take your one-sheet with them. Sometimes they won’t though, so don’t be discouraged if they don’t. Thank them for meeting with you either way. And if they ask to have sample chapters and a proposal sent to them, then DO IT! Follow through. Make your own notes as soon as you’re out of the appointment, and then, when you get home, send them the requested proposal as soon as you can (in an email, with the subject line REQUESTED PROPOSAL, and thanking them again for meeting with, naming the conference where you met.)
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| From Savannah Keiser, the stars were added just to keep her personal contact info confidential. |
So, have you ever created a one-sheet? Is there anything you put on it that isn't covered here?
Many thanks to Lorna Seilstad, Jaime Jo Wright, Renee Yancy, and Savannah Keiser for letting me use examples of their one sheets. Thanks to Stephanie Morrill for letting me use her author bio and photo.
Many thanks to Lorna Seilstad, Jaime Jo Wright, Renee Yancy, and Savannah Keiser for letting me use examples of their one sheets. Thanks to Stephanie Morrill for letting me use her author bio and photo.
Lorna Seilstad, who graciously volunteered some examples for this blog post loves to help new writers by creating one-sheets for them. Check out her webpage here: http://www.lornaseilstad.com/forwriters.html for her rates and samples of her work.
Leave a comment, and be entered to win a free one-sheet design from Lorna Seilstad! Lorna's graciously offered to create a one sheet design for ONE SEEKER! Comment below, and be entered to win!
