Showing posts with label Amanda Cabot. Show all posts
Showing posts with label Amanda Cabot. Show all posts

Friday, March 6, 2020

Measuring The Impact


with guest blogger, Amanda Cabot

“How do we measure the impact of our stories? How do we know if we’re successful?” Those were the questions a member of my Colorado writers group asked last summer. I don’t claim to be an expert, but I wanted to open today’s discussion with some of my thoughts.

Let’s consider a few measures of success.

Copies Sold – For as long as I’ve been published (a long, long time), this has been the gold standard of success. From both the publisher’s and the author’s view, that’s understandable. After all, both the publisher’s profits and the author’s royalties are based on the number of copies sold. And the greater the number of books sold, the greater the probability that your story has touched readers’ hearts.

All of that is good, but the sad reality is that just because someone bought a book doesn’t mean she’ll read it or that if he begins to read it, he’ll finish the book. I tried unsuccessfully to find the article I once read about the depressingly small percentage of bestselling books that were read in their entirety, but my own experience has been that I finish no more than three-quarters of the books that I purchase. Yes, the authors of those unread books registered sales, but I doubt they expected or wanted me to abandon a story they’d labored over after I read only ten percent.

Amazon Ranking – Raise your hand if you’ve never checked your book’s rank on Amazon. Hmmm … I’m looking out over cyberspace, and I’m not seeing any hands. Maybe I need new glasses. All joking aside, Amazon rankings are valuable because they measure the velocity of sales at the world’s largest bookstore, but they have the same shortcoming as copies sold: they’re not a measure of impact, simply of potential impact.

Journal Reviews – Who wouldn’t relish a starred review in Publishers Weekly or Booklist, a review in a major newspaper, or having his book on a “best ten of the year” list? Those are all significant accomplishments, and if the author is fortunate, they lead to higher sales. They’re also a boost to the ego, since the reviewers are professionals who are presumably experienced in evaluating fiction. But are the reviews a true measure of the impact of the book? I say “no,” and that brings me to the next two categories.

Reader Reviews – If you’re like me, you cherish those five-star reviews on Amazon and cringe when you see a one-star. What makes these reviews special? Quite simply, it’s because they come from readers. This is our target audience. Unlike professional reviewers, the people who post reviews are not paid to express their opinions. They’re taking time that could be spent doing a hundred other things to tell others what they liked, which portions of the book resonated with them, what they didn’t like. We may not always agree with them, but these reviews, which some librarians use when they’re deciding which books to add to their library’s collection, represent real-world opinions. They also help us measure how our stories affect readers.

Letters from Readers – Whether they come via email or snail mail, readers’ letters are my favorite way of determining the impact of my stories. Some of these readers will post reviews, but in most cases, their stories are too personal for them to reveal to the world at large. The fact that they’re willing to share their experiences with me tells me how much my stories have touched their hearts and how much of an impact fiction can have.

Patricia Bradley shares my view. Here’s Patricia’s story:
I’ve had several readers tell me the way a character solved their problems helped them work out their own problems. One wrote to me about A Promise to Protect and said, “I never felt my mother wanted me (which was the problem my heroine faced), and it affected my marriage, my children, my life. Reading your book and the way your heroine forgave her mother has changed my life. I thank you and my children thank you.”

Here’s what one reader wrote to me about Scattered Petals:
“What makes your book special is that you’ve touched my heart so deeply that I’m finally beginning to really believe God loves me. I’ve had that head knowledge for years, but now with the help of Scattered Petals, it is becoming real to me. Thank you for working in partnership with God to touch and change me as never before!”

Paper Roses had this effect on a reader:
“I had really started to think that God wasn’t listening to me, and that I was indeed all alone, and that perhaps even God really didn’t exist. After that book, I just have such peace. Thank you for writing this. Just a little hug from Jesus knowing that He does use other people to touch lives. He really is there, and He really does love me! Thank you so much.”

I won’t claim that I’ve received hundreds of letters like these, but I will tell you that they’re worth more than a royalty check to me. They affirm my belief that I’m doing what God intended for me and that my stories are having a positive impact on readers.

How do you measure your impact?





Back Cover Copy

A young woman with a tragic past has arrived in town . . . and trouble is following close behind

Ten years after her parents were killed, Evelyn Radcliffe is once more homeless. The orphanage that was her refuge and later her workplace has burned to the ground, and only she and a young orphan girl have escaped. Convinced this must be related to her parents’ murders, Evelyn flees with the girl to Mesquite Springs in the Texas Hill Country and finds shelter in the home of Wyatt Clark, a talented horse rancher whose plans don’t include a family of his own.

At first, Evelyn is a distraction. But when it becomes clear that trouble has followed her to Mesquite Springs, she becomes a full-blown disruption. Can Wyatt keep her safe from the man who wants her dead? And will his own plans become collateral damage?

Suspenseful and sweetly romantic, Out of the Embers is the first in a new series that invites you to the Texas Hill Country in the 1850s, when the West was wild, the men were noble, and the women were strong.


Bio
Amanda Cabot’s dream of selling a book before her thirtieth birthday came true, and she’s now the author of more than thirty-five novels as well as eight novellas, four non-fiction books, and what she describes as enough technical articles to cure insomnia in a medium-sized city. Her inspirational romances have appeared on the CBA and ECPA bestseller lists, have garnered a starred review from Publishers Weekly, and have been nominated for the ACFW Carol, the HOLT Medallion, and the Booksellers Best awards. A popular workshop presenter, Amanda takes pleasure in helping other writers achieve their dreams of publication.


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Friday, March 1, 2019

Hints for Writing a Series

with guest, Amanda Cabot


How do you prepare to write a series? For me, there are six steps.

Step 1: Choose the Location
Realtors say, “location, location, location” and I agree. In fact, I consider the location to be the single most critical element in a book. Why? Although people’s motivations and problems are universal, where they live impacts them in many ways. Life on a farm is different from life in a small town, while someone who lives in a small town has different experiences from someone in a large city.

It’s not simply a question of farm vs. small town vs. big city. What’s equally important is where that farm, town, or city is located. A farm in the deep South will have different challenges from one on the Great Plains. Similarly, a town in the Texas Hill Country (which is where I’ve set many of my books) will be different from one in the Northeast.

Choose your location carefully. It should be one that appeals to you and one you know well. If you’re going to make the setting come alive for readers, you need to know what plants grow there, what birds roost in which trees, and what the air feels like.

Once you’ve decided where your story will take place, I highly recommend a map. If you’re using a real location, it’s easy enough to get a map of the town and/or the whole area. If you’ve created a fictional town, as I typically do, name the streets, highlight key landmarks, and decide who lives where. That’s what I did for Cimarron Creek.



Step 2: Choose the Specific Year
Like location, this is critical, since what’s happening in the world at that time will impact the storyline. My Cimarron Creek series takes place fifteen years after Appomattox, but even though it’s been more than a decade, the wounds inflicted by the War Between the States have yet to heal.


Step 3: Identify Your Main Characters and their Relationships
The next step is to determine who your protagonists and key secondary characters will be. If you’re a pantser rather than a plotter, you might be tempted to work on only one book at a time. The disadvantage to this approach is that it’s more difficult to integrate characters from one story into the next if you haven’t planned it in advance. And since one reason readers enjoy series is the continuing characters, it’s important to know how everyone fits into the picture.

When I started the Cimarron Creek trilogy, I knew that the town’s two founding families would be key players and that their familial relationships would be important. That’s why I created a formal family tree.  While this may or may not be needed for your books, if you have multiple generations of a single family involved, you may want to do something similar.

At this point, I also determine which characters will be newcomers. If you’ve read my books, you’ll notice that in almost every one either the hero or the heroine is new to the town. Why? Not only does “new blood” make a story more interesting, but having a stranger (or in the case of A Tender Hope three strangers) come to town changes the dynamics.


Step 4: Decide Whether or Not to Have an Overarching Plot Line
If you’re a fan of TV’s “Castle” or “Longmire,” you know how effective an overarching plot line can be. While viewers had the satisfaction of seeing a mystery resolved in each episode, they kept tuning in to learn who killed Kate’s mother and Longmire’s wife. I decided to try a similar approach with the Cimarron Creek books, having the central mystery be what happened to Aunt Bertha’s daughter. The storyline is introduced in A Stolen Heart, takes some unexpected turns in A Borrowed Dream, and isn’t fully resolved until A Tender Hope.

If you decide to take this approach, I caution you. On the surface, it seems easy enough to do, but the reality is that it’s more complex than you might expect, particularly if you’re like me and want to ensure that your books can be read as standalones.


Step 5: Identify the Internal and External Conflicts of Each Book
We all know that a successful book includes both internal and external conflicts for each of the key protagonists. When writing a series, it’s essential to ensure that those conflicts are different for each book. If not, readers will start yawning, saying “same old, same old,” and will be less likely to buy the next book.


Step 6: Leave the Door Open for More Stories
While it’s important to resolve all key plot points by the end of the series or risk readers being disappointed, it never hurts to introduce secondary characters who are interesting enough that readers will want to know what happens to them. Even if you have no plans for a follow-on series, you never can tell when those characters will demand their own story. That’s what happened with Thea. I introduced her in Paper Roses ten years ago, and she captivated readers so much that now she’s the heroine of her own story.

I hope my six steps make sense to you and that they help you plan your own series. Speaking as both a reader and a writer, series are fun!

~~~~~~~


As far as Thea Michener is concerned, it’s time for a change. With her husband murdered and her
much-anticipated baby stillborn, there is nothing left for her in Ladreville. Having accepted a position as Cimarron Creek’s midwife, she has no intention of remarrying. So when a handsome Texas Ranger appears on her doorstep with an abandoned baby, Thea isn’t sure her heart can take it.

Ranger Jackson Guthrie isn’t concerned only with the baby’s welfare. He’s been looking for Thea, convinced that her late husband was part of the gang that killed his brother. But it soon becomes clear that the situation is far more complicated than he anticipated—and he’ll need Thea’s help if he’s ever to find the justice he seeks.





Amanda Cabot’s dream of selling a book before her thirtieth birthday came true, and she’s now the author of more than thirty-five novels as well as eight novellas, four non-fiction books, and what she describes as enough technical articles to cure insomnia in a medium-sized city.  Her inspirational romances have appeared on the CBA and ECPA bestseller lists, have garnered a starred review from Publishers Weekly, and have been nominated for the ACFW Carol, the HOLT Medallion, and the Booksellers Best awards.  A popular workshop presenter, Amanda takes pleasure in helping other writers achieve their dreams of publication.



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Friday, March 2, 2018

A Conference Quiz

by Amanda Cabot

As the weather improves and travel is less challenging, it seems as if conferences are springing up as quickly as the dandelions in my yard.  Should you attend one?  Probably, but before you invest your time and money, why not spend a few minutes with my simple five-part quiz?  The questions – and their answers – may give you a different perspective.
Let’s get started.  The statements are designed for a “true” or “false” response.

1.      The primary reason to attend a conference is to meet agents and editors.  False.  While an agent or editor appointment can be extremely valuable, in part because it might shorten the query process, your primary reason for attending a conference ought to be to learn more about the craft, marketing, or simply the state of the publishing industry.  This is a learning opportunity. 

2.      To get your money’s worth from a conference, you should attend every possible workshop.  Since I told you that the reason for attending a conference is to learn, you might think that the answer to this is “true.”  Not so.  While I urge you to attend many workshops at each conference, you also need to consider the very real possibility of brain overload.  Take time to relax and absorb what you’ve learned.  Sometimes this means retreating to your room.  Other times, a few minutes chatting with other attendees might be enough.  Be careful not to overdo.  The last thing you want is to return home exhausted, with all the workshops starting to blur in your mind.

3.      The larger the conference, the better.  If you were expecting me to say either “true” or “false,” I’m going to disappoint you.  This is a “maybe.”  While it’s true that larger conferences typically offer more tracks and, therefore, more workshops from which to choose the perfect ones for you, if the thought of plenary sessions with thousands of other attendees makes you cringe, you’d be better served by attending a smaller conference.  Consider your comfort levels before you make any decisions.

4.      It’s not easy being a newbie at a conference.  Definitely true.  Many conference organizers make a special effort to identify first time attendees and ask their members to include them in conversations, at meals, etc.  But the reality is that most writers are introverts, which means that facing hundreds – perhaps thousands – of strangers is daunting.  The best way to avoid this problem is to ask one of your writing friends to attend with you.  Sometimes, though, that’s not possible.  What to do then?  Look around.  You’re likely to see others who are sitting or standing alone.  Why not approach them?  One time when I did that, it became the start of a friendship that’s spanned decades. 

5.      Every workshop you attend will be valuable.  Oh, if only that were true!  I’ve attended a number of workshops where the blurb sounded fabulous, the speaker had outstanding credentials, and I found myself nodding off from boredom.  My first reaction was anger, as in “What a waste of time and money,” but then I realized that the problem was mine.  I’d set unrealistic expectations.  Not every workshop will be perfect for you, just as not every conference is the right one for you. 
What should you expect from a conference?  My new criteria for judging whether or not a conference was worthwhile is this: if I learn one thing or make one good contact, it was a success.  I can’t remember a single workshop I attended at the conference where I met the woman who became my friend and critique partner.  In fact, I remember returning home and telling my husband that it was at best a mediocre conference.  And yet, meeting Diane made it one of the best conferences I’ve attended.

So, my friends, consider what you hope to gain from a conference, calibrate your expectations, choose carefully, and then have fun.  Because, when it’s all over, what you’ll remember is whether or not you enjoyed your time at the conference.


Blurb
There is no such thing as an impossible dream . . .

Catherine Whitfield is sure that she will never again be able to trust anyone in the medical profession after the local doctor’s treatments killed her mother. Despite her loneliness and her broken heart, she carries bravely on as Cimarron Creek’s dutiful schoolteacher, resigned to a life where dreams rarely come true.

Austin Goddard is a newcomer to Cimarron Creek. Posing as a rancher, he fled to Texas to protect his daughter from a dangerous criminal. He’s managed to keep his past as a surgeon a secret. But when Catherine Whitfield captures his heart, he wonders how long he will be able to keep up the charade.

With a deft hand, Amanda Cabot teases out the strands of love, deception, and redemption in this charming tale of dreams deferred and hopes becoming reality.


Author Bio
Amanda Cabot is the bestselling author of more than thirty novels including the Texas Dreams trilogy, the Westward Winds series, the Texas Crossroads trilogy, A Stolen Heart, and Christmas Roses. A former director of Information Technology, she has written everything from technical books and articles for IT professionals to mysteries for teenagers and romances for all ages.  Amanda is delighted to now be a fulltime writer of Christian romances, living happily ever after with her husband in Wyoming. 


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