Let’s talk about story structure.
Readers and writers both know when a story feels “right.” What is it that gives us that feeling?
It’s when a story is constructed in a way that resonates with our souls.
Basic story structure is simple.
And it is the same pattern, no matter the genre.
In a romance: boy meets girl, love blooms, conflicts happen that lead to near death of the relationship, a pivotal change happens in both characters, love grows, they face a major conflict together, they live happily ever after.
In an adventure story: the hero is called to action, he/she makes mistakes pursuing the quest, he/she has a virtual death/rebirth experience, faces the quest with renewed vigor, slays the virtual (or real) dragon, he/she lives happily ever after.
In a mystery: the sleuth is faced with a crime, the sleuth pursues the bad guy without success, the sleuth has a pivotal change happen in his/her life, the sleuth tracks down the bad guy and wins, he/she lives happily ever after.
Basic story structure! It works!
But…how can you deepen your readers’ experience? How can you add depth to your story that will make it resonate even more fully?
This literary device is key.
A literary device sounds like it might be a trick, but it isn’t anything sneaky. It’s a smart and subtle way to add substance to your story. If you’re a word-geek like me, take some time to study classical rhetoric. You’ll be blown away by the possibilities when you consciously add literary devices to your writing.
The Greek term for this literary device is “chiasm.” (pronounced ki-AZ-um)
Basically, it’s a form of writing that states a truth or tells a story in a structure we can describe as
A-B-C-B-A.
The Bible is full of chiasms, and this illustration might help you understand what they are - Let’s take Jesus’ statement in Matthew 11:18-30. I’m using the NASB, but the structure is the same in any translation.
A. Come to Me, all who are weary and heavy-laden
B. and I will give you rest. Take my yoke upon you,
C. and learn from Me, for I am gentle and humble in heart;
B. and you shall find rest for your souls.
A. For my yoke is easy, and My load is light.
The Bible is full of chiasms, and this illustration might help you understand what they are - Let’s take Jesus’ statement in Matthew 11:18-30. I’m using the NASB, but the structure is the same in any translation.
A. Come to Me, all who are weary and heavy-laden
B. and I will give you rest. Take my yoke upon you,
C. and learn from Me, for I am gentle and humble in heart;
B. and you shall find rest for your souls.
A. For my yoke is easy, and My load is light.
Do you see how the A statements are related? The same with the B statements?
The connected statements reflect and reinforce each other, then the C, or central statement, is the pivot point.
How does this relate to our writing?
Take a look at this expanded story diamond:
See the arrows that connect the plot points? If I wrote this out using the same method as the Bible passage above, it would look like this:
A. Inciting Incident
B. Plot Pivot One
C. Twist One
D. The Pivotal Scene, or Moment of Grace
C. Twist Two
B. The Black Moment
A. Plot Pivot Two, or the Final Battle
So, what does this look like when we’re writing a story?
These are the major plot points to start with when we construct our story.
A - A The Inciting Incident reflects and reinforces the Final Battle.
B - B Plot Point One reflects and reinforces the Black Moment.
C - C Twist One reflects and reinforces Twist Two.
Let’s see how this works using two of the connected plot points in our chiasm. We'll use a romantic plot:
In the Inciting Incident, Benjamin and Heather meet at a county planning commission meeting. He’s there to ask permission to build a playground on Lot A at the edge of town, and she’s there to convince the planning commission to deny permission.
So, what happens in the Final Battle? Benjamin and Heather, now firmly united in love, join forces to convince the planning commission to give permission to build the playground on Lot B on the other end of town (rather than on top of the toxic former battery plant location on Lot A.)
Do the two plot points reflect and reinforce each other? Yes!
Do you see how when these two plot points are related to each other, the story comes around full circle and closes the circle?
Do you see how closing that circle gives your reader the satisfying story conclusion that makes her get all teary-eyed and smiling at the end?
Plotting a story isn't easy, but then, what part of writing is? I like to look at plotting as a puzzle - a puzzle that lends speed and ease to the actual writing process because when you have the plot points laid out, you know the story is going to work.
So let's play with this puzzle in the comment section. How would you connect the other two plot-point-pairs in our story about Benjamin and Heather?
When you play the brain-storming game with us (or make any comment,) you'll be entered in a drawing for one of my Love Inspired Historical Amish romances. Your choice of title!
Thanks for playing with us today!
You know, this layout is so much clearer to me than most writing/craft books out there. I'm not a craft book reader... ever. I'm a writer and craft books put me to sleep. But having said that, I do like short, snappy articles that show things like this because it doesn't lecture me. It shows me.
ReplyDeleteAnd closing the circle is clutch.
In my newest Wishing Bridge, Rachel's sorrow and grief are the seeds for her journey to a happy ending, a resolution.... but getting to that resolution is hard. And if we don't take the reader on that journey to resolution, if we leave them hanging or leave the characters learning to deal with disappointment for the rest of their lives we've:
1. cheated the readers
2. left them wanting
3. betrayed our character
4. got a spot in Oprah's book club
That's a lot of SADNESS! :) I'm not saying everything has to have a happy ending, but it needs a satisfying resolution. Someone needs to pay a price.. and someone needs to feel empowered.
Thank you, Jan!!!!
Good morning, Ruthy!
DeleteYou said: "I'm not saying everything has to have a happy ending, but it needs a satisfying resolution."
That satisfying resolution is key! I don't know how many times I've reached the end of a book and it just fell flat. Sometimes the main character's conclusion doesn't match his/her character, or a secondary character is left out in the cold. Sometimes I can't pinpoint the problem - but it's there.
By the way, your stories never disappoint! I've always said that the best way to learn how to write is to read good books. We pick up a lot of writing skills through example, even if we don't have a name to stick on them. Maybe I would call that process "writing by instinct." :-)
Great post, Jan. I have to leave for work soon so can't come up with any other connections in your story off the top of my head. Gives me a lot to think about, though.
ReplyDeleteThanks, Sandy.
DeleteHave a good day at work!
I'll join in the fun! So let's look at Plot Pivot One and the Black Moment. Ben has good intentions. He loves kids and wants to build that playground, a playground his company tasked him to complete, to help the local youth. His motives are pure. Heather's father worked at the battery plant, developed cancer due to the toxic environment and died a few years earlier. The company refused to believe their actions had anything to due with her father's death and did not provide any medical compensation to her father or to his family.
ReplyDeleteIn the Black Moment and after Heather and Ben have seemingly been seeing eye-to-eye, Heather learns that Ben's uncle owned the battery plant and that the plant will be awarded a community service accomodation upon the completion of the playground. Ben thought his uncle's motives were altruistic, and he believed the company's false-science about the plant being environmentally friendly. Heather thinks he's been sweet talking her so she'll back down about her objection to the playground on Lot A. Ben feels dupped by his family and the company. He leaves town and goes "home" to confront his uncle and to lobby for the compensation Heather's father/family deserves. Maybe dad didn't die but needs costly treatment he can't afford.
At the end, of course, he receives a large settlement from the company and is able to get the much needed treatment. Perhaps Ben leaves the company and begins his own non-profit to create safe play areas in cities around the country. Heather will work with him as they start their new life together...
I love this, Debby! What a great continuation to the story!
DeleteAnd your Plot Point One meshes perfectly with the Black Moment - reflecting and reinforcing those major turning points, and hitting that conflict hard.
I'm sorry, Jan, but this is almost too technical for me to wrap my blond brain around. There are things that I know should happen at certain points, but if I try to adhere to a technique, my creativity will shut right down. That said, I have a pretty good gut and can tell if something is working or not. If it's not, then I dissect it to see what's missing. But charts and plot points will stymie me every time.
ReplyDeleteWhat you're doing is definitely working for you!
DeleteDifferent people work in different ways. I like having a concrete base to build my story on - it sounds like you (and Ruthy!) write from instinct.
But look at the end result! Your story structure is there - I've seen it in your books. You don't have to name or chart something in order to use it well. :-)
Just keep writing!
Thank You Jan for this post Blessings To You!
ReplyDeleteHow do you know this stuff?
ReplyDelete