I am a storyteller. Scenes for my WIP (work-in-progress) run
through my head during most of my waking moments. By the time I sit down to
write, the words come spilling out in a steady flow, sometimes in a torrent.
Word limits are not my friend! My most prolific writing jag came in at just
over 28,000 words in six days (four of which I worked at my FT job). Some of
these were penned while waiting for a flight. When they announced we were
boarding, I was just hitting my stride. I pounded away until the last second, then
had to wait until we’d taken off and reached the magic 10,000-foot threshold
before I could fire up my laptop and continue.
On the other hand, a cousin of mine who has published several books writes like a poet (her words). She tells me she fights to get every single word onto the page. If there is a word limit to be reached, she has to work hard to get there.
Whether you’re a storyteller or a poet (or something
between), whether you’ve been writing a week or a decade (or more), it will
happen to you sometime.
BAM! You will hit the wall.
For me, the torrent trickles to a slow drip, then stops
completely. My stories are character-driven, so my wall is usually a plot
point. Everything comes to a screeching halt. I back up, then approach the wall
again. After a few tries, I admit that I’m stuck.
There
are four techniques I’ve used to get over the wall:
1.
Bang your head against it until you break
through. This was how I dealt with the wall when I was a beginning writer.
I still have the scars to prove it! Sometimes it worked, but it usually
involved taking quite a long break—and sometimes a writer doesn’t have that
luxury (can anyone say deadlines?).
2.
Take a break. Switch to another project.
What? You don’t have three or four WIPs going at once? I can’t relate! 😊
3.
Go over the wall. I learned this
technique early in my writing adventure in a writing group, and it has served
me well. Leave where you stopped. Pick up a new thread and start weaving. Then
come back and take apart the wall, brick by brick, and make whatever changes
are necessary to connect the two sections.
4.
Phone a friend. If you don’t have a
critique partner or group, find one. In the post-pandemic world, it doesn’t
have to be someone local, you can connect with anyone virtually. When you hit a
wall, a fellow writer can look at the problem with a fresh perspective. In one
case, my critique partner made a simple suggestion, and that led to a
completely new, successful plot point. And I’ve done this for others as well.
If I had to rank these four suggestions in order, I’d say 3,
2, 4, and finally, 1. Actually, I wouldn’t even recommend 1!
Regarding point 4, if you’ve been writing in isolation
because of fear over sharing your writing with anyone, I highly recommend
finding a writers’ group. I’ve been with the same group of four others for
almost five years. From the beginning, it was established as a safe place, and
I know beyond a shadow of a doubt that I wouldn’t be the writer I am today
(still growing, though) without my beloved writing friends.
Back to the 28,000-words-in-six-days manuscript. That was in
July, 2019, and I just finished it this spring. In From the Storm will
release in about a month. There were times when I had to turn my attention to
other WIPs, and times when I hit the wall and had to employ points 2 and 3
above. As so often happens, the characters took the story in a completely
different—and much better—direction than my original plan!
Leave a comment for a chance to win a print (US readers
only) or Kindle copy of Sisters Ever After, the first book in Erin’s
Canadian Meadows series.
About Erin:
Erin
has been writing fiction since 2014. She has published independently and with
Pelican Book Group and Winged Publications and is a member of American
Christian Fiction Writers.
Writing
is like breathing to Erin. Stories are running through her mind during most of
her waking hours, and by the time she sits down at the computer, the words flow
and time ceases to exist.
Erin
was raised in Illinois and has lived in many places in the U.S., including on
both coasts, but is a Midwest girl at heart. She spent many years as an
educator from pre-school through college levels, and currently works in
training and internal communications for a global corporation.
When
she’s not writing, Erin loves spending time with her children and
grandchildren, and playing in the garden (which equates to mostly pulling weeds)
at her central Iowa home. Her secret indulgence is plain M&Ms.
Brock Hennessey fled California to make a fresh start in northwestern Montana. He hopes he’s put enough miles between him and danger, banking on a promised job to give his family a new start in a safe place.
Circumstances pit Gianna and Brock against one another, and neither one is willing to give an inch. As their professional dealings grow more acrimonious, their daughters become best friends and suddenly, the four of them are thrown into situations that have them acting, looking, and sounding like a real family.
Set against the stunning backdrop of northwestern Montana, Sisters Ever After is the first book in the Canadian Meadows series.
I'm definitely more of a "poet" who struggles with the words, so these suggestions really are helpful. I used to feel like I had to write the story chronologically, but the first time I really hit a wall and had to work from the ending back, I realized how a perspective shift like that can really open up the inspiration. Congratulations on the book. It sounds great and that cover photo is beautiful!
ReplyDeleteGreat post, Erin. I hit the wall a lot, so I will keep these tips in mind. Please put me in the drawing. The book looks good!
ReplyDeleteHi, Erin, thank you for your post today. I sometimes find myself surrounded by walls! Can't see over them, can't bust through them...time to sit and think for awhile! :)
ReplyDeleteGreat points. I have a couple writing groups now and I don't know where I would be without them. Although I have to admit, sometimes I just try number 1 for way to long before moving to one of the others.
ReplyDelete