Hello everyone,
Winnie Griggs here. Back in June I wrote a post about Character Arcs (you can
find it HERE). At the time I mentioned that I’d also
do a post on Story Arcs ‘soon’. Well ‘soon’ has arrived 😊
In literature,
a story Arc, sometimes called a Narrative Arc or Dramatic Arc, refers to the
path your story will take. It’s called an arc because that path, which travels
from the beginning to the end of your story, will normally take the form of
rising, cresting and falling action.
It’s the actual shape of your story. A strongly crafted and
executed arc is absolutely key if you want to pen a story that will have your
reader eager to turn the pages from start to finish.
The
arc is composed of the sequence of events that take place in your story. That being said, don’t confuse the story
arc with the plot. A plot is the actual events that take place in your story. The arc is the way those events are
sequenced, emphasized and deemphasized to provide the shape of your story, the
rising and falling action and emotion. It allows the reader to see the cause an
effect between those story events which give them meaning and structure.
So
if it’s vital that your story have a compelling arc, just how do you make that
happen? Here are a few steps
Decide
on the TYPE of narrative arc you will be using in your story.
The most
popularly agreed upon standards are these six.
Rags
To Riches. This type of story has but one movement – a steady
rise, a continuous upward climb.
Examples
would include Pygmalion by George Bernard Shaw and Holes by Louis
Sinclair
Riches
to Rags. The
opposite of Rags to Riches, this story arc is a steady, ongoing fall in the
emotional and/or moral value or experience.
Examples
would include Animal Farm by George Orwell and Romeo and Juliet
by Shakespeare.
Man
In a Hole.
The shape of this story shows two movements, a fall and then a rise.
Examples
of this type include the movie Finding Nemo, and The Hobbit by
J.R.R. Tolkien
Icarus. This arc is the inverse of
the Man In a Hole – it’s characterized by a rise and then fall.
Examples
would include the namesake mythological fable of Icarus and Jurassic
Park by Michael Crichton
Cinderella. The shape of this arc is a
rise-fall-rise.
In
addition to Cinderella itself, examples would include Disney’s Frozen and
Disney’s Alladin. (In fact you could expand this list to include just about
every Disney animated movie!)
Oedipus. The inverse of the
Cinderella arc, this has a fall-rise-fall shape.
This
would include stories such as Gone With The Wind by Margaret Mitchell
and Moby Dick by Herman Melville.
Know
The 5 Classic Elements of Your Story Arc.
Just
about every story arc has these elements in this order.
Exposition
or Set-Up. This is the opening scenes of your story, where your characters
and story world are introduced This is
also where we introduce e the story question which we will spend the rest of
the story exploring. Note I said introduce, as in lay out the groundwork-we don’t
need to know every element of her life and backstory at the outset, just enough
to give us a feel of who these characters are whose journeys we’ll be sharing
for the length of your story, a way to help your reader settle in to your story
before the meat of the action really picks up.
Rising Action. This happens once your set-up is
complete and the inciting incident has set the plot in motion, and is usually
characterized by conflict, complications, challenges and reversals. In other
words, this is everything that follows the inciting incident leading up to the
story climax.
Climax. This is where all of that rising action comes to a head, where it reaches
critical mass. It should be where tensions are highest and should also be the
most exciting moment in your book. It’s here that your protagonist has to make
a crucial decision that will drive the story on through the falling action and to
its final resolution.
Falling
Action. Now that the Climax is behind you, this is where you show the fallout,
either positive or negative, where the tension begins to lessen as we ease
toward the conclusion of our story.
Resolution.
This is the actual end of the story, where all the loose ends are tied up and
where we get a sense of the lasting impact of the story events on your characters
and their world. The story question has been answered and your story’s message
has been imparted to the reader.

Play
Twist and Shout.
Once
you have a good handle on The various types of Story Arcs, the Elements of the
Story Arcs and Genre conventions, then you can play with twisting and reshaping
them to put new twists on them.
Whatever genre you choose to write in, make certain you are very familiar with tropes,
conventions and reader expectations (read, read, READ). For instance, if you’re
doing a take on an Aladdin story, perhaps your genie is a toddler rather than a
fearsome presence. Or in your romance, instead of a meet cute you have a train wreck
of a first meeting. Or you have a shapeshifter story where your protagonist can
only shift into something innocuous or silly like a sloth.
Just
keep in mind, if you do play with twisting reader expectations do so with a story
purpose, not just for shock value.
Deliver
On Your Story Promise and Reader Satisfaction
Always
keep in mind, reader engagement and satisfaction is key. Even when you bend the
rules or genre expectations you need to deliver a satisfying story. That
shapeshifter story with the sloth as the protagonist would likely work well in a
comedic story, but for a serious paranormal maybe not so much. If a an action
thriller type story had a weak villain or one who just gave up at the end your
reader would likely toss the book against the wall.
The
real world often seems confusing, unfair, chaotic – in other words,
meaningless. And as people we crave meaning. By creating the arc in your story, and making that arc your own,
you can give your readers that meaning they're craving.
And a compelling, satisfying story is about change, whether that change is for good or ill. Proper use of a narrative arc is the way to show that change.
So create your story with all its twists and turns, its quirks and
unexpected re-imaginings, and then keep your promise to the reader by providing
a satisfying, absolutely compelling pay off in the end.
Do you have a particular type of story arc you prefer, either as a reader or writer? Leave a comment to be entered in a drawing for your selection of any book in my backlist